Album Review: DANNY BROWN Atrocity Exhibition

danny-brown-atrocity-exhibition

Last last year accomplished hip-hop artist, Danny Brown, released his latest project, the full length record, “Atrocity Exhibition”.  After switching labels to Warp Records, there was speculation that Danny would yet again venture into a different sound and approach for this 2016 release.  However, no one, including myself, could’ve seen this drastic new change in sound and experimentation coming.

Personally, I discovered Danny’s material during the “Old” album cycle and instantly fell in love with the EDM based hip hop tracks.  Songs like “Side B (Dope Song)”, “Kush Coma”, “Dip”, and his collaboration with EDM artist, Rustie, with the song, “Attak” almost immediately became not only some of the greatest rap songs I had ever heard by the Detroit based artist, but some of the most stellar hip hop tracks I ever heard period.  It was clear that Danny’s distinct songwriting and sound was unparalleled to the rest of the noise in the genre, even after hearing only a fraction of his entire discography.

After listening to “Atrocity Exhibition”, my first reaction was complete shock at how Danny Brown was able to take 15 of the most odd, peculiar, and to put it simply, weirdest, beats I had ever heard and turn them into successfully written hip hop tracks.  Especially starting out with tracks off “Old” that follow a very simplistic, catchy, festival-oriented structure, it completely took me off guard to hear such experimentation from Danny on “Atrocity Exhibition”.  Tracks like “Downward Spiral”, “Get Hi”, and “Goldust” left me utterly dumbfounded at how Danny can take these bizarre instrumental tracks and record a vocal performance that not only rhythmically makes sense, but actually results in well-written songs that I actually enjoy.

Despite the odd approach to songwriting, every track seems to fit well in the track listing.  The songs themselves, beats, and song structure may vary greatly, especially when comparing songs like “Really Doe” and “Goldust”, however each track seems to fit perfectly into the overall composition of the album as a whole. On one hand, “Really Doe” features a very modern, almost radio friendly beat with features from Kendrick, Ab-Soul, and Earl Sweatshirt. On the other, “Goldust” features multiple, repetitive horn section parts accompanied by an overly distorted electric guitar strumming barely audible chords.  However, each track features the same avant-garde influences while also including impactful lyricism that is often filled with dark imagery and honest depictions of Danny’s thoughts, experiences, and environment around him, like what is heard on “Ain’t It Funny”, “Really Doe”, “Pneumonia”, “When It Rain”, “Tell Me What I Don’t Know”, and “Get Hi”, showing how each track does not seem out of place on “Atrocity Exhibition”, despite the fact that no two songs are fairly alike in sound or overall composition.  The spectrum of influences, sounds, song structure, differences in beats, and even vocal delivery is extremely broad in Atrocity Exhibition and trying to compare any two songs on the album, whether its “Ain’t It Funny” vs “Hell For It”, “Get Hi” vs “Pneumonia”, or “When It Rain” vs “Downward Spiral”, perfectly exemplifies the blatant diversity that is without a doubt the most memorable aspect throughout the latest Danny Brown project.

There really aren’t any significant complaints I have about this album in general.  The only songs I really don’t like on “Atrocity Exhibition” are the “Downward Spiral” and “Rolling Stone”.  “Downward Spiral’s” beat is so bizarre that it takes multiple listens to just get used to its odd sound.  Also, “Downward Spiral” is a fairly weak way to start out the album.  The lyricism represents what is to come in “Atrocity Exhibition”, however, the very laid back, lazy sounding beat should not be the first thing you hear on this latest Danny Brown project.  Honestly, if “Downward Spiral” and “Pneumonia” switched places in track order I think this album would sound even better when listening to it from start to finish.  I personally can’t imagine how powerful it would sound to have “Pneumonia” as the first track you hear off of “Atrocity Exhibition”.  The haunting, echoing bells heard in the hook that starts the song would instantly grab my attention and keep it unwavering, which is something that “Downward Spiral” simply cannot do.  Also, having “Downward Spiral” at the halfway point of the record would symbolize how the audience is about to dive further into Danny’s unique songwriting and dark lyricism before hearing tracks like “Today, “When It Rain”, and “Dance In The Water”. To me, “Rolling Stone’s” hook is both redundant and annoying and I personally believe it slightly holds the entire album back.  If it had a different hook it might be better overall, but regardless it is definitely one of the weakest songs on the project.

Despite these minor setbacks, there are numerous aspects that I personally thoroughly enjoyed on “Atrocity Exhibition”.  For starters, the sampling on “Lost” is sensational.  The repeated looping of the horn part, keyboard melody, and female vocal track provide a simple, repetitive beat that fits Danny’s vocal performance flawlessly (not to mention this song would fit in well with any of the old Tony Hawk video game soundtracks, as it features the same looping beats heard on hip hop tracks on these soundtracks).  Interestingly enough, “Tell Me What I Don’t Know” and “From the Ground” are songs that don’t feature vocals from Danny himself.  This is something he’s done before on previous releases, but it’s very interesting to hear a song he wrote that does not feature any vocal performance from the rapper personally.  In my opinion, I would love to see more prominent hip hop artists write songs that don’t feature their own vocals, as I think this is a really interesting concept that adds further diversity to projects, but I can see how this idea might cause some negative feedback from these artists respective fan bases.  I absolutely loved “Dance in the Water”, as the internationally influenced beats, backing vocals, and overall melody make it an extremely catchy song that I wouldn’t be surprised to hear on the next FIFA soundtrack.  Lastly, I personally think that “Ain’t It Funny”, which recently saw the release of a music video directed by actor Jonah Hill made for the track itself, despite the criticism the song got.  The beat on “Ain’t It Funny” is stupid catchy, and when mixed with the self-destructive, dark, and honest lyricism featured, “Ain’t It Funny” instantly becomes one of the most significant songs you will hear from Danny Brown on this 2016 project.  My favorite tracks off “Atrocity Exhibition” have to be “Ain’t It Funny”, “Really Doe”, “Pneumonia”, “When It Rain”, and “Dance in the Water”, and the more I listen to the record the closer I get to declaring “Atrocity Exhibition” as the greatest Danny Brown release in his discography.

“Atrocity Exhibition” was the greatest hip hop release of 2016, and was the 6th best album of 2016, only falling behind artists like Saor, Trophy Eyes, Fallujah, Real Friends, and Every Time I Die.  This project truly pushes the limits and creativeness of hip-hop and will hopefully pave the way for future projects at the same caliber of excellence as “Atrocity Exhibition”.  Personally, I still can’t get over my initial reaction of how shook I was after hearing “When It Rain” and waiting for the bass to drop, like in “Dip”, only to never hear the anticipated drop.  Even though I was initially disappointed to not hear more EDM inspired tracks from Danny Brown, I am ecstatic to instead receive one of the best projects ever released in hip hop’s modern history.  Danny Brown will be remembered as a trailblazer in hip hop and his projects will surely inspire countless other phenomenal artists and projects.  In summation, I give “Atrocity Exhibition” a 9.6/10, and I cannot stress enough how important it is to listen to and truly appreciate this album.  Danny Brown’s latest project is attached below.  Give it a listen and stay tuned for more reviews due out very soon!

 

“Atrocity Exhibition”:

Track of the Day Tuesday: ELDAMAR Winter Night

eldamar

Recently I was browsing through bandcamp’s metal section when I came across an album that I have slept on for awhile now.  Eldamar’s “The Force of The Ancient Land” has some of the most breathtaking album artwork I have ever seen and it’s appearance alone instantly caught my attention and remained in the back of my head as a constant reminder to listen to this project.  I’m not sure why I never gave it a listen until now, but I’m extremely glad that I finally did.

After listening to the entire full length record it is, to put it simply, impossible to pick my favorite track, or even the most memorable song.  Each and every song heard from the beginning of this atmospheric black metal album to the epic finish is captivatingly beautiful.  That being said, I decided to choose one of the longest tracks on the project, that way listeners who have yet to hear anything off “The Force of The Ancient Land” can obtain a near perfect understanding of how elegant these tracks are.  Coming in at exactly 11 minutes in playing time, “Winter Night” is without a doubt the track you need to listen to today.  Melodic and harmonious guitars and backing instrumental tracks lay a solid foundation as distant, yet piercing screeching vocals and a dreamy, remarkable synth lead trailblaze through the project as a whole, like a mythical creature graciously flying through an awe-inspiring landscape like the one depicted in the captivating album artwork.  The occasional string sections and choir like vocal sections only add to this bittersweet sounding, melancholic melody that does nothing but leave the listener at a loss for words for how beautiful this whole album is.

Even though it is unlike the traditional style of recording black metal, I truly enjoy the high quality of recording and overall sound.  Branching off from the traditional lo-fi style heard in some of the most influential releases in the genre’s brief history, “The Force of The Ancient Land”, in my opinion, would suffer greatly from having anything short of a high quality overall sound.  In a similar way to how my favorite black metal band of all time, Saor, uses high quality recordings to strengthen the truly inspirational and melodic sound heard on “Roots”, “Aura”, and “Guardians”, Eldamar simply would not be able to achieve such excellence in recording “The Force of The Ancient Land” without the use of this high quality recording style.

Personally, I only have two minuscule complaints about “Winter Night”.  For starters, I personally love the choir like section at 7:02, which features a simply gorgeous lead sung by a female vocalist.  The only problem I have with this section is that it is clearly obvious that the vocal parts, especially the girl’s, are computer generated and artificial.  Even though these parts are sung as perfect as one can possibly sing them, it results in a section that sounds almost robotic as it is completely flawless.  This, of course, is a ridiculous complaint to have, but part of me wishes these sections were recorded with actual singers.  However, that is an outlandish request, especially for a one man band that has already produced one of the best albums of 2016 with or without a live choir.  Lastly, I was also hoping that some soundscapes would be added to the track to further build upon its ambient and atmospheric roots.  Even a sample of the wind howling through the Norwegian mountains, where Eldamar is based out of, would greatly increase the experience that listening to “The Force of The Ancient Land” truly is.  Again, these are very, very minuscule complaints and this track is still absolutely breathtaking.

I wish I could go on and on about “Winter Night” and the other 7 phenomenal tracks that “The Force of The Ancient Land” encompasses, but to be honest, I’m at a loss for words at this point.  I’ve clearly said enough to convince you as to why this is the Track of the Day Tuesday, now it is your turn to experience this monumental album and hear for yourself why I’m completely blown away by it’s elegance.  The song “Winter Night” is attached below, and the full album stream for “The Force of The Ancient Land” is also attached, as I’m sure you will not be able to resist listening to the rest of the project after hearing “Winter Night”.  Let us know what you think of these Eldamar tracks, and of course, don’t forget to say what track you think should be next week’s Track of the Day Tuesday!

“Winter Night”:

 

“The Force of The Ancient Land”: