Vinyl and Cassette News: Panic! At The Disco’s “A Fever You Can’t Sweat Out” To Be Repressed

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2016 has seen some huge vinyl represses this year, but this repress is probably the most significant repress we will see all year!  Las Vegas based rock band, Panic! At The Disco, will be repressing their iconic debut album, “A Fever You Can’t Sweat Out” this month.  Their debut record, along with their sophomore and third full length records, “Pretty. Odd.” and “Vices & Virtues”, will get represses this year as well after years of having previous presses completely sold out.  Panic! At The Disco’s first three records are some of their most successful and popular releases to date and it’s no surprise that their previous pressings of these records are extremely rare and hard to find online.  Almost all of these previous pressings have been resold for at least $100 and some have even seen sales close to $400!  That being said, this repressing of Panic!’s first three records gives collectors and fans of Panic! At The Disco the ability to finally purchase a copy of these great records for an affordable price!

Even though each of the albums mentioned are extremely limited on vinyl and in high demand from fans of the band, “A Fever You Can’t Sweat Out” is still the most significant repressed album all year.  “AFYCSO” was the record that launched Panic! At The Disco into their massive successful career that we see today, and the record is widely received by fans as the group’s greatest record.  It also has the most previous pressings than any of the first three albums and has also been sold for as much as $399 on Discogs!  I personally never thought that “AFYCSO” would ever be repressed again due to the fact that there were already multiple pressings made for the debut album that are often resold on various websites.  However, this repressing, like mentioned earlier, gives fans a way to get a copy, whether or not they own a previous pressing.  Even though this repress will add more vinyl copies of the album to the vinyl and cassette market, I still think that older pressings will still have ridiculously high prices and the demand for these copies will still be great, similar to how certain Circa Survive pressings are still high in price and demand.  If you are one of the people who are still looking to get any copy of this record on vinyl you need to purchase this as soon as possible as this pressing will definitely sell out and could also be added to the list of expensive resold Panic! At The Disco records.

If you are looking to buy a copy online then check out the links I have posted below to srcvinyl and my favorite store ever, Bullmoose Records, who are both selling copies of the Panic! At The Disco records.  Again, and I cannot stress this enough, these represses will absolutely sell out so now is your chance to pick up a copy at a normal, affordable price, especially if you don’t care what pressing of any of the records you can get.  I also attached the full stream of “AFYCSO” for those who want to give the classic record a listen!  We have a lot more vinyl and cassette news to share in the upcoming week so make sure to visit the site to see more updates about the vinyl and cassette market!

srcvinyl:

https://www.srcvinyl.com/searchanise/result?q=panic+at+the+disco

Bullmoose Records:

http://www.bullmoose.com/search?Q=panic+at+the+disco&As=true&As=false&Cid=18&Pf=&Pt=&btnsearch=Search

“A Fever You Can’t Sweat Out”:

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500 Word Review: “Nails/Full of Hell Split EP”

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Recently, grindcore and powerviolence legends, Nails and Full of Hell, released a split EP together.  The split EP is the first release since Nails’ “hiatus” and is also the follow up to their amazing full length record, “You Will Never Be One Of Us”, which was released earlier this year.  Ever since this split EP was announced I have been extremely excited to hear it, despite the fact that I had never heard of Full of Hell before.  I was also especially excited to review this project since I have never reviewed a split EP before or any project from either group!  The split EP itself features one song from Nails titled, “No Longer Under Your Control”, and two songs from Full of Hell titled, “Thy Radiant Garrote Exposed” and “Bez Bolu”.  However, even before hearing a single track from the split, I was almost certain that this would be one of the best EPs I listen to this year.

If you know anything about grindcore, especially the two artists featured on this split, then you will not be surprised to see how short this split EP is.  With a total playing time of just short of 4.5 minutes, the Nails/Full of Hell split EP is one of the shortest split EPs I have ever heard and will easily be the shortest release you hear all year.  And again, if you are familiar with grindcore, then you know that the short compositions are chaotic and intense to say the least.  However, this split between Nails and Full of Hell is far more than just chaotic, it is unrelenting, brutal grindcore and powerviolence from start to finish that perfectly fits the gorgeous EP artwork.  When listening to the sole Nails track on the split EP, “No Longer Under Your Control”, it is clear that the songwriting heard is very similar to their previous album, “You Will Never Be One Of Us”, with only a few exceptions that allow the split to differ from the 2016 full length release.  For example, “No Longer Under Your Control” is slightly less aggressive than “YWNBOOU” and is also more melodic with some riffing mixed in with heavy chugging sections, that happen to be a staple for “YWNBOOU”.  The vocals, lyrics, and solo heard on “No Longer Under Your Control”, however, are practically identical to what is heard on the 2016 full length release, which is actually a good thing.  The only negative aspect heard on this Nails track is the production quality.  The production quality is muddy, and by being slightly worse than what is heard on “YWNBOOU”, it fails to correctly exemplify the brutal, raw sound that makes Nails’ music great.  However, this production quality does not take away from the fact that this track is absolutely stellar!

As I mentioned earlier, I did not know anything about Full of Hell prior to this release.  After listening to the split 7 times through I am extremely glad Full of Hell was included in this split because I have really enjoyed their two tracks on the release, “Thy Radiant Garrote Exposed” and “Bez Bolu”.  Like Nails’ sole track, these two tracks are short, fast aggressive, and hard-hitting, addictive grindcore songs.  The sludgy, overall production and tone heard on the guitar and bass tracks accompanied by perfectly mixed vocals result in two phenomenal tracks by Full of Hell.  In fact, these songs are so well written and well recorded that I actually might like these songs more than the sole Nails track heard on this split!  I plan on checking out more of Full of Hell’s discography and if the rest of their material sounds like the songs on this split then I could definitely become a fan of them!

In conclusion, this a great split by Nails and Full of Hell.  In fact, this split EP gives Nails the potential to become the first band/artist to have both an EP and an album make it onto the EPs of the Year list and the Albums of the Year list on Erik’s Album Reviews in the same year.  The aggressive, chaotic sound heard throughout the release is near perfect grindcore that is brief yet masterful, and above all, unfathomably brutal that leaves the listener feeling like they got hit by a bus. I give the Nails/Full of Hell split EP a 9.0/10 and you need to give less than 5 minutes of your time to listen to and truly experience this remarkable split EP, regardless of your opinion on grindcore and this form of extreme music.  I’ve attached the soundcloud stream of the split EP, along with where to order the 7″ vinyl, below for anyone who wants to give it a listen and I’ve also posted the original post I wrote when Nails and Full of Hell first announced the release.  We’ll have a lot more reviews to post in the upcoming weeks so make sure to check back into the site to see what we review next!

Split EP Announcement:

https://eriksalbumreviews.wordpress.com/2016/10/12/breaking-news-nails-will-release-a-split-7-with-full-of-hell-this-december/

Split EP on Vinyl:

Nails / Full Of Hell "Split"

Full Split EP Stream:

Vinyl and Cassette News: Erra’s “Impulse” Now Available On Vinyl For the First Time Ever

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Alabama based, prominent metalcore group, Erra, have recently announced that their debut LP, “Impulse”, is now available on vinyl for the first time ever! The record will have two separate variants, with one variant being Purple and the other Black.  Unfortunately, the exact amount of how many copies of each variant were made has yet to be released.  Regardless, this recent pressing means that it is now possible to own every Erra full length album on vinyl!  Although, there is a very good chance that these variants will sell out fast so be sure to add this to your collection today!

“Impulse” is a massive milestone in the history of Erra as a band and its significant impact on the group’s legacy can still be seen today.  Not only did this record help connect Erra to its current fan base, but it was also one of the first releases to feature Erra’s signature style of progressive metalcore.  “Impulse” would also help pave the way for the group to write one of its most successful releases ever, “Augment”, which was the 2013 follow up to “Impulse”.  Without this album, Erra’s career and importance in the extreme metal community would be drastically different.  Because of this, it is fair to say that this record is a phenomenal release and if you have never heard it before now you can hear it on the greatest format to listen to music!

The link to the “Impulse” records through Merchbucket is attached below along with a stream of the album itself.  Make sure to check back in this week for more vinyl and cassette news!

http://www.merchbucket.com/mm5/merchant.mvc?Screen=SRCH

500 Word Review: Metallica “Hardwired… to Self-Destruct”

htsd

Last week, thrash metal legends, Metallica, released their tenth full length studio album, “Hardwired… to Self-Destruct”, which is their first full length album since 2008’s “Death Magnetic”.  Personally, I’m not a massive, avid fan of Metallica, however, they are the first ever metal band I listened to and became a fan of, and the releases I do enjoy are very important to me.  So with the announcement of a new Metallica album to be released in 2016, my anticipation and excitement for new material was very high.  Although, if you are familiar with Metallica’s discography, then you will know that the California based metal act has had some questionable releases in the post-“The Black Album” era.  So my excitement for new material would greatly depend on how the record’s singles sounded.  Thankfully, these singles exceeded expectations!  The three singles, “Hardwired”, “Moth Into Flame”, and “Atlas, Rise!” were phenomenal tracks and only increased how much I was looking forward to hearing the rest of the project!

When you first listen to “Hardwired… to Self-Destruct” the first thing you will notice is that this is probably the best production a Metallica album has seen in literally decades.  Albums like “St. Anger” and “Death Magnetic”, which were the two releases prior to “Hardwired…”, feature some of the worst production quality in Metallica’s career.  Everything from how the drums were recorded to the mix and mastering of the entire album overall were terrible and at some points unbearable.  On “Hardwired…”, the exact opposite is seen.  The drums, especially the tight, bone-snapping snare sound, are recorded perfectly and the distorted guitars and bass tracks sound amazing.  The vocals sound powerful, well mixed, and most importantly, in tune.  Overall, the great production quality allows the album to sound like a successful modern day thrash metal record, and in return makes the whole release more enjoyable.

The songwriting exemplified on the new Metallica album is ridiculously good as well.  The entire album is full with catchy, memorable tracks that sound like great, classic thrash metal songs.  Chugging, head-banging worthy riffs are simply powerful, especially with stellar vocals.  Tracks like “Now That We’re Dead” and “Halo On Fire” are perfect examples of this and are reminiscent to their older sound heard in the mid to late 80s.  Even tracks like “Atlas, Rise!” and “Murder One” are instant classics and should be praised as some of their best tracks in their extensive catalog.  If you are a fan of the mind-numbing guitar solos from lead guitarist, Kirk Hammett, then  you will love this album as it is full with solos of his, like the extremely impressive solo heard on “Murder One”.  Overall, there are only two songs that personally I thought were just ok or decent songs on the record, but there is still over an hour of amazing material off this two disc record.  Besides the fact that there are only two decent songs, “Hardwired… to Self-Destruct” is mostly fast tempo, in your face, classic thrash metal with some great, short, melodic breaks in between the hard-hitting riffs and catchy choruses.  There is rarely a dull moment throughout “Hardwired… to Self-Destruct”, which keeps the listener attentive and into the album despite the fact that it is well over an hour in length!

In conclusion, this is one of the best Metallica albums in literally decades.  The record features all the classic, widely praised aspects of Metallica that make their old releases so phenomenal.  It’s important to not listen to this album thinking it will be as good as the legendary releases like “The Black Album, “Master of Puppets”, or even “…And Justice For All”, considering the fact that these are some of the greatest metal albums of all time, but “Hardwired… to Self-Destruct” is still a remarkable album and is for sure their greatest release in the post-“The Black Album” era.  I give “Hardwired… to Self-Destruct” an 8.5/10 and highly encourage anyone, regardless of their opinion on Metallica, to give it a listen!  The Youtube playlist for the album is attached below to view and make sure to check back in this weekend for more reviews and other music content!

Classic Album Review: METALLICA St. Anger

metallica-st-anger

Metallica may be a thrash metal band, but for all their aggressive drive, they manage to make their music balanced. The same cannot be said for “St. Anger”. To put it quite simply, it is a mess. In an attempt to recreate the raw sound of their early work, Metallica decided to make new material for their album in an old military barracks. A noble idea, but one that ultimately failed. In the end the band decided the sound was too raw, and moved to their own studio to record the final product. Sadly, even a bona fide studio and the skills of producer Bob Rock were not enough to save this album.

Shortly before recording started, Metallica’s bassist Jason Newstead left the band. Determined to release a new album, Metallica had Bob Rock step in as a temporary replacement. James Hetfield’s alcohol addiction and personal issues further complicated recording, and a sloppy album was the result.

Metallica’s drummer Lars Ulrich is often criticized for his decision to remove the wire from his snare drum, and for good reason. The drums are overwhelming. The kit doesn’t sound raw, but like it is composed of trash cans. The gimmick is distracting from the rest of “St. Anger’s” noise, which is probably a good thing. Apart from their sound, the drumming is tame compared to the skill Ulrich has shown before.

Putting it mildly, the vocals are strident. Hetfield is frequently off key and manages to sound far less suave than before. Uncomfortable wailing and ugly shouts plague the album too. The lyrics are all things childish, cliché, and boring. In the title track, Hetfield spouts cringe worthy lines like “fuck it all and fuckin’ no regrets” and the album ends up sounding ridiculous, rather than metal. Other times the lyrics are lazy.   For example, Metallica lists off as many words as they can think of ending in “or” in the track, “Dirty Window”, to show off their rhyming skills. The background vocals are usually buried in the mix, but Metallica has hung on to the kind of gang vocals that have worked for them in the past. Unfortunately, we can often hear what sounds like layers of Hetfield screeching over each other, like what is heard on “Some Kind of Monster”, as if he wasn’t making enough of a ruckus already.

It was depressing to listen to a Metallica album without a single guitar solo. Kirk Hammett usually delivers standout riffs at the least, but none were to be found on “St. Anger”. In general, the guitar could be described as uninspired. Hetfield’s performance wasn’t very impressive either. It doesn’t have much of an impact on the album, instead it’s just there. Perhaps they are rusty or old, but it was a lackluster performance.

Bob Rock’s bass performance was completely drowned in the mix, which is strange considering he was the album’s producer. You really have to press your ear to the speaker to notice the bass, and when you do, it sounds like a carbon copy of Korn’s signature rattling bass, especially when listening to “Purify”. On the other hand, who knows what that sound is. It could even be Hetfield puking into one of Lars’ trashcans.

“St. Anger” is not cohesive. Each transition is clumsy, and the instruments fail to complement each other. Not a single aspect of this album is without flaw, and that includes its themes. The lyrics, like those heard on the track, “Invisible Kid”, try to be philosophical, but sound like they were written by an angsty teenager. The songs last too long and even when they have something good going, they ruin it moments later. One of the albums redeeming moments, reminiscent of the stylish rhythms of Metallica’s self-titled album, is when the band lays down a grooving riff to Hetfield’s well delivered lyrics of “Open your heart, I’m beating right here”, but the moment is murdered moments later with more horrible wailing. Overall, this is a horribly discordant album that relied too much on production despite its goal of achieving a raw sound. Something tells me that recalling an album on the sight of a trashcan is not a good sign.

 

Score: 3.4/10

 

Album Review by Zachary Norton, November 2016

The Thursday Ten: 11/24/16

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After missing last week we are now back with the next installment to “The Thursday Ten”!  Like usual, the rules for “The Thursday Ten” haven’t changed and we encourage you to check out every album listed below on any of the major music streaming services.  Let us know what you think of the ratings, which albums we should do next, and don’t forget to read previous “The Thursday Tens”, like the most recent one attached below!  Here is this week’s “The Thursday Ten”:

  1. Hail The Sun – Culture Scars: 8/10
  2. Stolas – Allomaternal: 8/10
  3. The Devil Wears Prada – Transit Blues: 7/10
  4. Gallant – Ology: 9/10
  5. Sianvar – Stay Lost: 8/10
  6. Memphis May Fire – This Light I Hold: 6/10
  7. Fire From The Gods – Narrative: 7/10
  8. twenty one pilots – Heathens *single/not an album*: 5/10
  9. Rob $tone – Chill Bill *single/not an album*: 9/10
  10. Leon Bridges – Coming Home: 8/10

The previous “The Thursday Ten”:

https://eriksalbumreviews.wordpress.com/2016/11/11/the-thursday-ten-111016/

Track(s) of the Day Tuesday: GALLANT Weight In Gold and ROB $TONE Chill Bill

As we mentioned before, last week was extremely hectic for the writers at Erik’s Album Reviews, so we were unable to create new installments for our weekly segments, like Track of the Day Tuesday.  So, like we’ve done before for weeks when we were unable to post a track of the day, we have TWO tracks for this week that you should listen to!  These tracks are Gallant’s “Weight In Gold” and Rob $tone’s “Chill Bill”.  Both of these songs I actually found through commercials and I have since become a fan of these artists!

Rob $tone is an up-and-coming rap artist who released his widely successful single, “Chill Bill”, earlier this year.  The track has been featured on Spotify commercials and features one of the catchiest hooks you will hear in all of 2016.  The track has solid flow and a well put together trap beat, however the most memorable part of this song is the whistling lead part, which serves as the melody to the addictive chorus.  It is impossible to listen to the chorus once and not want to play it again and whistle the melody yourself.  The only problem I have with the song is that I think the whistling melody is over used.  If it was prominent in the verse as well, I believe that the impact the melody would have on the chorus would be even greater than it is now.  This track, however, is still an amazing start for Rob $tone and I look forward to hearing what he chooses to release next!

Gallant’s “Weight In Gold” is the other track you must listen to today.  After hearing his best selling single on a Red Bull commercial I absolutely had to check out the full song.  Gallant is a modern day R&B artist with an absolutely stunning vocal range.  Gallant’s music also incorporates a lot of electronic influence and even some sections in “Weight In Gold” feature EDM like sections.  “Weight In Gold” is an instant classic and an all around well written, extremely impressive song.  “Ology”, Gallant’s debut album, is phenomenal as well and will definitely be an album of the year contender.

I’ve posted links to both songs below for you to check out!  I also attached Gallant’s live performance on The Tonight Show starring Jimmy Fallon.  If his live performance doesn’t convince you of his unfathomable talent and musical ability, then I don’t know what will.  Both of these artists will be house hold names in the next few years and I can’t wait to see what they do with their careers next!

Rob $tone “Chill Bill”:

Gallant “Weight In Gold”:

Gallant “Weight In Gold” Live: