Breaking News: Dying Fetus Reveal Artwork and Album Title For Upcoming New Record

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Recently, one of the most accomplished bands in death metal history, Dying Fetus, announced the album title and revealed the artwork for their upcoming 8th full length album, “Wrong One To Fuck With”.  The Maryland based 3 piece death metal act, who haven’t released any new material since 2012’s extremely successful “Reign Supreme”, are back with a new project that is sure to be just as bone-crushing, if not even more, than their previous releases.

As I’ve stated before, “Reign Supreme” is my absolute favorite Dying Fetus album, with “Stop at Nothing” and “War of Attrition” close behind.  That being said, if “Wrong One To Fuck With” follows this path of continuous improvement, there should be no reason as to why this album isn’t deemed the best release in Dying Fetus’ extensive history.

I will say though, based off the morbid artwork and intense album title, if this record is anything less than painfully brutal, it will be a complete disappointment.  With a title like “Wrong One To Fuck With” and artwork that features a deceased girl completely drenched in either her own blood or a mixture of her blood and someone else’s blood, with her alleged murderer standing over her with what looks like the machete he used to kill her, this album simply has to be the most aggressive, bone-snapping, offensively heavy album of all of 2017.  However, we are talking about Dying Fetus of course, and I highly doubt they will disappoint at all.

A single hasn’t been released yet for the upcoming album, but a teaser for the upcoming full length is attached below!  Based on the 26 seconds of audio from the upcoming album, it seems like “Wrong One To Fuck With” will be the perfect follow up to “Reign Supreme”.  Stay tuned as we’ll keep you updated on all Dying Fetus news up until the album release date on June 23rd.

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Breaking News: New Nine Inch Nails EP Out This Friday

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This Friday, iconic industrial rock titans, Nine Inch Nails, will be releasing a brand new EP.  The upcoming EP, titled “Not the Actual Events”, will be released on their website (http://www.nin.com) on December 23rd and is the group’s first release since 2014.  The new material will also be the first project to feature the group’s newest member, Atticus Ross.  The duo of Ross and Reznor have worked on numerous successful scores in recent years, like “Gone Girl”, “Before the Flood”, and “Juno” to name a few, so their collaboration on new NIN materials will be very interesting to hear!

Unfortunately a single for the upcoming project has yet to be released.  With the project recently being announced, it is very unlikely we will hear any previews before the EP’s release date Friday.  However, a review of the project will definitely be posted once the EP is out!  Visit the site regularly to see more updates about the new Nine Inch Nails EP along with all other music news and content!

Breaking News: Aphex Twin Plays First US Show in 8 Years and Releases a Surprise 12″ Record

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Over the weekend, one of the greatest electronic artists of all time, Aphex Twin, performed in the United States for the first time in 8 years.  Playing at Houston’s Day for Night Festival, Aphex Twin performed a two hour long headlining set to close out Saturday night.  The impressive live set is absolutely mesmerizing and easily makes up for the long gap between US performances.

What is even more notable to mention is that Aphex Twin released a surprise 12″ record at the festival.  Apparently, according to festival goers who bought a copy, the artwork and record sleeve is completely white and the only designs seen are on the vinyl disc’s inner label, which features the logos for Aphex Twin, Warp Records, and Day for Night Festival along with the date and location of the festival.  It is speculated that two songs are featured on the vinyl, but further information about the new vinyl has yet to be released.

If you picked up a copy, leave a comment and tell us more about this surprise 12″ record release and let us know how the festival went!  For those who weren’t in Houston, like myself, you can watch the first 30 minutes of Aphex Twin’s set below!  And lastly, If you love electronic music as much as we do at Erik’s Album Reviews, then make sure to check back in for more electronic music news and reviews to be released soon!

The Thursday Ten: 11/15/16

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For those who visit Erik’s Album Reviews regularly, you will know that the staff has been very busy for the last two weeks.  Because of this we unfortunately missed the last two “The Thursday Ten” segments.  However, last week we announced that in order to make up for this lack of album ratings, we will give 20 album ratings for this week’s installment rather than the usual 10!  This week’s post features various releases over multiple genres covering everything from Black Metal to EDM.  Even though twice as many releases are feature in this installment, the rules to “The Thursday Ten” haven’t changed, and of course, we encourage you to check out every album listed on any of the major music streaming platforms.  Let us know what you think of the ratings, which albums you want us to rate next, and don’t forget to check out the previous installment to “The Thursday Ten”.  Here is this week’s post:

  1. Skeletonwitch – The Apothic Gloom EP: 8/10
  2. The Acacia Strain, Thy Art Is Murder, and Fit For An Autopsy – The Depression Sessions: 9/10
  3. Power Trip/Integrity Split EP: 7/10
  4. Dan Mason – Summer Love: 7/10
  5. Radiohead – A Moon Shaped Pool: 7/10
  6. Aborted – Termination Redux EP: 8/10
  7. Lamb of God – The Duke EP: 7/10
  8. Jason Richardson – I: 8/10
  9. bl00dwave – Distance: 8/10
  10. Defeater – Abandoned: 8/10

 

  1. Mac Miller – The Divine Feminine: 8/10
  2. Blink-182 – California: 8/10
  3. Balance and Composure – Light We Made: 8/10
  4. Moose Blood – Blush: 8/10
  5. Wakrat – Wakrat: 4/10
  6. Tesseract – Polaris: 7/10
  7. A Day To Remember – Bad Vibrations: 6/10
  8. Adventure Club – Red // Blue: 5/10
  9. PZA – AMERICAN RITUALS: 9/10
  10. Vaerbitt – Tid: 9/10

The previous “The Thursday Ten”:

https://eriksalbumreviews.wordpress.com/2016/11/25/the-thursday-ten-112416/

Track of the Day Tuesday: PZA “BEAUT1FUL”

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PZA, the prominent vaporwave/trapwave artist, has officially become the first artist to be featured at least twice on the “Track of the Day Tuesday” segment.  This might be due in part to the fact that PZA has an immense discography, but it is mostly because PZA is one of the greatest producers in vaporwave and “American Rituals” is one of his best releases to date.  Being released on New Years Day of 2016, “American Rituals” is a project by PZA that combines the use of plunderphonics, his signature EDM/trap inspired synths and beats, and chopped and altered samples of modern pop music classics.  Taking samples from artists like Drake, Justin Bieber, and Lana Del Rey, PZA puts his own twist on these famous songs, and in return, creates one of the greatest vaporwave projects I’ve ever heard.  This style of songwriting is slightly different from PZA’s usual sound, but the experimentation results in one of his best releases that has the potential to be an Album of the Year contender.

The entire album is phenomenal in my opinion, but if there is one track you have to listen to, it is “BEAUT1FUL”. “BEAUT1FUL”, which samples Lana Del Rey’s “Young and Beautiful”, is probably the best track you will hear on “American Rituals”.  By altering the various Lana samples and adding reverb filled synths and instrumental fills, PZA is able to turn this fantastic pop song into a dreamy, captivating vaporwave song.  If you like any form of vaporwave or Lana Del Rey’s music you need to listen to this song, which is attached below.  Unfortunately, the only stream of the track I could find was the stream of “American Rituals” on PZA’s bandcamp page.  “BEAUT1FUL”, along with the rest of “American Rituals”, is attached below.  I highly suggest listening to the entire project, but if you just want to hear “BEAUT1FUL”, then skip to track 5 and enjoy the stellar PZA track.  I will also attach the link to PZA’s bandcamp page as well for those who would like to check out more releases from the vaporwave artist.  Only a few of his releases are posted there, but it is a great place to start for those who are not familiar with his work.  We often post about electronic music and vaporwave in particular on Erik’s Album Reviews, so if you are a fan of these genres make sure to visit often for more electronic music news and content!

PZA’s Bandcamp page:

https://pza420.bandcamp.com/

“American Rituals” (“BEAUT1FUL” is track 5):

500 Word Review: Dwellings “Foreverest” – Single

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On November 25th, Modesto, California based post hardcore band, Dwellings, released the follow up to their debut single “Lemonade” with the release of their latest single, “Foreverest”.  For those of you who have been following the page you will know how excited I am to hear new material from this group.  Their debut single was nothing short of phenomenal, and based off that performance alone, I honestly believe that this group is the future of the post hardcore sub genre.  That being said, I was extremely excited to hear new material from this group because I’m still curious to see how their sound will develop throughout this debut EP.  This new single, “Foreverest”, definitely varies significantly from their debut release, “Lemonade”, however there are still consistent themes heard on both tracks that give listeners and fans of the group a sense of what this up and coming band will sound like!

As stated earlier, there are multiple clear differences that you can hear between the tracks “Lemonade” and “Foreverest”.  For starters, “Foreverest” is somehow even more melodic than the anthemic track, “Lemonade”.  To be clear, this is not a negative quality, but it is still a surprising feature, especially when considering how harmonious multiple sections and choruses were on “Lemonade”.  The guitar work is simply graceful and does a great job with complimenting the superb songwriting and vocal performance heard on “Foreverest”. However, the most significant and enjoyable difference between the two tracks is how the overall sound of the track ,”Foreverest”, is more unique to Dwellings.  As much as I love “Lemonade”, there were multiple instances where the track sounded a lot like previous Dance Gavin Dance releases.  “Foreverest”, on the other hand, sounds more unique to Dwellings and their specific style of songwriting, and in the process, shows off their own personal take on post hardcore.  The influences from DGD and other well known post hardcore bands can still be heard, but Dwellings’ personal and recognizable sound is without a doubt the most prominent aspect heard, and in return gives their fans a better idea to how their sound will develop and become even more unique with future releases.  “Foreverest” will probably be the most melodic and slowest song heard on the upcoming EP and it gives the project a good range from higher energy,  in your face songs to slower and even more emotional tracks.

However Dwellings, like most other major California based post hardcore acts, still show some examples of similarities to Dance Gavin Dance in this new track.  These similarities are not a bad thing, or show lack of creativity, but demonstrate how they are able to take this modern style of post hardcore and transform and mold it into their own unique sound.  The first similarity a listener familiar with DGD will hear when listening to “Foreverest” is that this song is heavily influenced by Dance Gavin Dance’s third full length studio album, “Happiness”.  “Lemonade” featured elements from both “Happiness” and “Acceptance Speech” (the fifth studio album by the Sacramento based band), but “Foreverest” appears to just draw influence from “Happiness” alone. This is not a surprise to me since they have already shown signs of writing in a similar style to “Happiness”, and Dwellings’ bassist, Anthony Pacheco, has even stated that this DGD record is his favorite to date.  That being said, it now seems obvious why “Happiness” and “Foreverest” might sound somewhat similar.  “Happiness” is one of, it not my absolute favorite, DGD record as well, so Dwellings’ use of mixing in elements from this legendary record is something that I definitely approve of.  These elements, which include everything from the sincere, emotion filled lyrics to to the slow, yet melodic song structure can be directly compared and sound similar to songs like “Happiness” off the album of the same name, but can also strengthen their own songwriting by combing their favorite moments from “Happiness” and their own personal songwriting sound.  However, it is important to note that all of Dwellings’ material has been recorded by Josh Benton, who used to play guitar for Dance Gavin Dance and now records some of their releases like “Tree City Sessions”, and has been mastered by Kris Crummett, who recorded most of DGD’s full length records and other releases by notable California based post hardcore groups.  Because of this, some of aspects of Dwellings’ material might be similar to DGD solely because their production process is almost identical to Dance Gavin Dance’s.  Regardless of where they take influence from, Dwellings is making some serious progress at becoming the next legendary post hardcore group.

In conclusion, this is another solid track from soon-to-be household name, post hardcore group, Dwellings.  My anticipation for this debut EP continues to grow with every single released and I simply cannot wait to see what they put out next.  I give their second single, “Foreverest”, and 8.9/10.  The release date for the EP, “Lavender Town”, hasn’t been posted yet by the band, but when it does the staff at Erik’s Album Reviews will be the first ones to share it with you!  Check out the review for their debut single, “Lemonade”, below and give the latest single, “Foreverest”, a listen and let us know what you think!

“Lemonade” Review:

https://eriksalbumreviews.wordpress.com/2016/11/23/album-reivew-dwellings-lemonade-single/

“Foreverest”: