Breaking News: Fit For An Autopsy Announce Headlining Tour with Tombs and Moon Tooth

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Recently, the trailblazing, New Jersey based deathcore band, Fit For An Autopsy, announced a new headlining tour in support of their fourth full length album, “The Great Collapse”, which was released earlier this year.  The US tour will start this June and will run until the first week in July and features only 20 total dates.

What’s most interesting about this tour is the support FFAA will have while performing in support of “The Great Collapse”.  Only two other bands are embarking on this North American tour: the famous death metal band Tombs and lesser known, but extremely skilled, prog/math metal band Moon Tooth.  This support is pretty odd, yet fitting for the tour itself.  It is peculiar to see a deathcore band play alongside these notable bands, especially Tombs who have a completely different sound and possibly a bigger fan base, but FFAA is becoming one of the few versatile modern deathcore bands who can successfully and effectively tour with deathcore, metalcore, death metal, deathgrind, and other varying genres of extreme metal without appearing out of place on the lineup.  In fact, after further listening to the two supporting bands for the upcoming tour, it actually seems like the 3 groups themselves will actually fit well together on this upcoming tour.  Even though Tombs does embody a sound that is very unlike Fit For An Autopsy, the aggressiveness and overall heaviness of their sound is actually very similar in comparison.  Also, after listening briefly to Moon Tooth, its pretty apparent that their songwriting and guitar riffs heard on projects like “Chromaparagon” is extremely similar to FFAA, and one could even go on to say that riffs heard on “The Great Collapse” could be directly inspired and influenced by the 2016 Moon Tooth album.  A small group of diverse, yet similar bands should result in one of the most entertaining metal shows to come to a city near you this summer.

Fit For An Autopsy have seen some extremely successful recent years as a band.  Not only have they released some genre defying albums, but they’ve also had very well known, prominent bands like Tombs, Aborted, Lorna Shore, and Black Tongue open up for them.  This tour, which will feature FFAA playing mostly tracks off the latest full length album and older tracks that they haven’t performed in awhile, is sure to be one of the most interesting tours you will see all year.  The official tour poster is attached below for you to see where’s the nearest place to see FFAA, Tombs, and Moon Tooth perform on the same stage!  Also, I do want to mention that the new version of the artwork featured on the poster actually looks better than the original artwork.  The blueish filter applied to the artwork looks fantastic, and after seeing it I really wish it was used for the album itself, rather than just the tour poster.  Lastly, a video review of “The Great Collapse” will be posted to the Erik’s Album Reviews Youtube channel and will be one of the first ever reviews published in video form!  Check out the channel below and visit the site for more news and reviews about Fit For An Autopsy!

Erik’s Album Reviews Youtube Channel:

https://www.youtube.com/channel/UCT2WZ3e5utc9eqs7JF8PnTA/videos

 

“The Great Collapse” Tour Poster:

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Track(s) of the Day Tuesday: FIT FOR AN AUTOPSY Black Mammoth and TREEREFLECTION Morning

Last week we unfortunately missed the deadline to add a new post to the segment “Track of the Day Tuesday”.  So today, in order to make up for last week, we have two tracks that you absolutely need to check out!

The first track you should give a listen to today is Fit For An Autopsy’s “Black Mammoth”.  Fit For An Autopsy is a band that I have recognized for years as one of the greatest modern deathcore bands.  Their profound lyricism and bone-crushing riffs and breakdowns have separated Fit For An Autopsy (FFAA) from the average modern deathcore band.  That being said, my standards for any material released by FFAA is extremely high, especially after their third full length record, “Absolute Hope, Absolute Hell”, was a very subpar follow up to one of greatest deathcore albums ever to be released, “Hellbound”.  So, when Fit For An Autopsy released “The Great Collapse” last Friday, my skepticism for whether or not FFAA will be able to redeem themselves was very high.  To my surprise, however, they greatly surpassed these expectations, and the track, “Black Mammoth”, was one of the leading factors that influenced this positive impression.

“Black Mammoth” is a track that discusses the vast negative impact of the Dakota Access Pipeline and how the destruction of the environment for various, insignificant reasons in situations similar to the Dakota Access Pipeline case study are not only drastic and inhumane towards those who live in these areas, but they also directly result in negative and irreversible consequences that affect all humans and inhabitants of this planet.  Even though FFAA is known for their remarkable lyricism, I was still pleasantly shocked to see them discuss such a significant topic in one of their tracks.  Not only is it rare that Fit For An Autopsy will discuss environmental issues in their music, but it is also extremely rare for environmental issues to be mentioned in metal music period!  Using their platform and limited space on their fourth full length album to discuss this prominent issue that we face today on a daily basis has caused my respect for Fit For An Autopsy to grow immensely.  Lyricism and lyrical message set aside, the instrumentation heard on “Black Mammoth” is easily the best performance on the entire record.  The melodic, yet still heavy riffs intertwine perfectly with Joe Badolato’s great vocal delivery, resulting in both a successful track and a record that surpasses its predecessor greatly.  Today you need to give this New Jersey based deathcore band a listen starting with the music video for “Black Mammoth” attached below.

The only thing more polarizing than extreme metal is ambient and soothing, soundscape filled electronic music.  After you have listened to the brutally heavy track that is “Black Mammoth” you should listen to the simply relaxing track “Morning” by TREEREFLECTION.  TREEREFLECTION is yet another fantastic artist represented by the successful Chilean vaporwave label, No Problema Tapes.  TREEREFLECTION, like the other well known artists on No Problema Tapes, writes primarily in atmospheric ambient music that heavily relies on the use of soundscapes and various pads.  What makes TREEREFLECTION stand out amongst the other No Problema artists is the incorporation of samples of sounds heard in nature and even slight but noticeable beats that help give “Morning” an electronic music vibe.  This style of songwriting is soothing, relaxing, stress relieving, and in my opinion, helps greatly with focusing on work.  I unfortunately could not find a stream of the song “Morning” individually, so instead I’ve attached the entire album, “Overcast” below.  Without a doubt, “Morning”, along with any other track heard on “Overcast”, is something you need to listen to today.

Even though “Morning” and “Black Mammoth” are two completely different songs, they are both “The Track of the Day Tuesday” and you absolutely need to give them a listen.  Whether it’s the genre defining song writing or even the impactful lyrical content on “Black Mammoth”, or the relaxing, blissfulness of “Morning”, it’s fair to say that these tracks are phenomenal and easily the two songs you should listen to today.  Check our past “Track of the Day Tuesday” installments to see what other songs we recommend you listen to, and of course, let us know what tracks you think should be featured on future “Track of the Day Tuesday” posts!

Track of the Day Tuesday: LORNA SHORE Godmaker

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This week the “Track of the Day Tuesday” is by a heavier, New Jersey based deathcore band called Lorna Shore.  Lorna Shore is actually a group that I discovered in 2013 after their drummer actively posted on the site, Vinylcollective.com.  Being a huge vinyl collector myself, I was able to talk to him through the forums and messaging function on the site about his band, who was fairly unknown at the time, Lorna Shore.  In 2013, I rarely listened to anything heavier than you’re basic deathcore bands like Chelsea Grin, Suicide Silence, and As Blood Runs Black, so the “Maleficium” EP was too heavy for me to enjoy when I first heard it.  However, after listening to their sophomore album, “Flesh Coffin”, which was recently released (by the way a review for “Flesh Coffin” is in the works), I realized how amazing this young deathcore band is and decided to revisit older works, especially the “Maleficium” EP.  After listening to these tracks for the first time in years, I was shocked to hear how amazing the project truly is, more specifically the successful single, “Godmaker”.  It is because of this that I have decided to name “Godmaker”, the best song on the 2013 “Maleficium” EP in my opinion, the “Track of the Day Tuesday”.

“Godmaker” is an eerie track that starts off with different sounds and effects that could easily be heard in the most suspenseful horror movie.  After the near minute intro, the track then brings in the full band as the guitars hit three melodic minor chords before going into a fast paced deathcore riff.  Throughout the track, multiple tempo changes, transitions between breakdowns and mind-numbing riffs, and astonishing blast beats accompanied by an impressively chilling vocal performance are heard, which help make “Godmaker” so memorable.  However, the most remarkable aspect isn’t any of the features previously mentioned.  In fact, it is the atonal guitar lead heard over the breakdown at (3:48?) in the track.  Not only does this lead guitar part make this breakdown even more brutal, but it adds a horrific (in a very good way), gothic influenced mood and sound to the already heinous track.  The atonal lead part, which you can listen to below, has made “Godmaker” not only one of my favorite tracks off “Maleficium”, but one of my favorite Lorna Shore songs in their discography, while also further proving my theory that melody, whether its tonal, atonal, or influenced and categorized differently, can help improve the song structure of even the most brutally heavy deathcore tracks, resulting in a more memorable project.

The music video for “Godmaker” is attached below.  Of course, I highly suggest you check out the “Track of the Day Tuesday” for both this week and previous weeks.  Also, if you are a Lorna Shore fan, stay tuned as I will be doing reviews for “Flesh Coffin” and possibly “Psalms”.  Lastly, let us know what you think should be next week’s “Track of the Day Tuesday” and stay tuned for more reviews and content to be released later this week!