Breaking News: Of Mice and Men Release New Single and Perform Live For the First Time Since Austin Carlile’s Departure

of mice and men 2017

In case you missed it, in the last few days of 2016 iconic frontman, Austin Carlile, of the successful metalcore act, Of Mice & Men, departed the group due to ongoing medical concerns that prevented him from being a full time member of the band.  The shocking news that the beloved singer would be leaving behind the group he started quickly spread across the metalcore community.  We covered the story here at Erik’s Album Reviews, and if you haven’t had a chance to read our post about it, you can do so now!

https://eriksalbumreviews.wordpress.com/2017/01/01/breaking-news-austin-carlile-leaves-of-mice-and-men/

Shortly after this departure of Carlile, the band was bombarded with questions about how they would continue, and if they would at all.  For those who don’t remember, there was a short period in time, between 2010 and 2011, when Austin Carlile was also not apart of the group and Jerry Roush (Sky Eats Airplane and Glass Cloud) was the main vocalist of the band.  This Roush fronted OM&M only released one cover track of “Blame It”, originally recorded by Jamie Foxx, however it still stood as proof that the group can continue their successes without Carlile as a member of the band.

So, because of this, Of Mice & Men announced early this year that they would continue on as a band and still proceed to write new music.  What is most interesting, however, is that the group decided not to hire a new vocalist and instead promote Aaron Pauley, who previously played bass and sung “clean” vocals for the band, to the frontman, who would perform all vocals while playing bass.  This conversion to a four piece was very interesting to say the least, and despite not following the band as attentively as I used to years ago, I was extremely intrigued to see how the band would do with this new structure.

After a long wait, on April 23rd, with the help of Rise Records, Of Mice & Men released their latest single, “Unbreakable”, featuring the new setup to their lineup.  To be completely honest, this is the first Of Mice & Men track I’ve thoroughly enjoyed in years.  It sounds a lot like the material heard on “Restoring Force”, yet there is a slightly more aggressive and heavier influence heard in this track that was absent, for the most part, on the more recent material.  I’m also shocked at how well Pauley has been handling the harsh vocals for Of Mice & Men on this track.  Not only is his delivery similar to that of Austin Carlile, but I wasn’t even aware that he was capable of this performance, as his harsh vocals for his previous band, Jamie’s Elsewhere, aren’t exactly proficient to say the least.  The lyricism definitely is not stunning, but I can’t remember a time in Of Mice & Men’s history where their lyricism was stellar, so this aspect really does not hurt the band at all.

After hearing the new track I was pleasantly surprised, however, the question of would their live performance live up to such high standards was something I was dying to find an answer to.  Of Mice & Men have been known to put on intense shows that not only are entertaining, but feature a lot of movement and fan interaction, especially since Carlile, who was just a vocalist, was able to move freely across the stage/venue and was absolutely worshipped by fans, allowing his performance to be flawless through the eyes of Of Mice & Men fans.  Because of this, I was uncertain as to how the band would be able to maintain this level of adrenaline and excitement at their shows.  Luckily, one of Of Mice & Men’s first performances without Austin Carlile took place, on April 22nd, the day before the “Unbreakable” music video was released and live footage from fans almost instantly emerged on Youtube.  One of the first Carlile-less appearances from the band occurred at the outdoor festival, Las Rageous, which as you can imagine, takes place in Las Vegas, Nevada.  The two tracks I saw performed live, through these live videos, were “Bones Exposed” and “The Depths”, which are two high energy, fan favorite songs that would serve as good examples as to whether or not the band can still be entertaining live.  After watching both videos, even though there was clearly a lack of movement and fan interaction, I can conclude that the performance, especially when evaluating Aaron Pauley and Alan Ashby’s vocal deliveries, was nearly perfect and the intensity and high energy aspects of Of Mice and Men’s live performance were still very prominent, despite not having a vocalist who is free to move around.  Unfortunately, the Las Rageous crowd was pretty dull, but the band themselves were very entertaining.

The new single, “Unbreakable”, and both live videos I watched are attached below.  Check them out and let us know what you think of them and this new era of Of Mice & Men.  We’ll keep you up to date on any updates about OM&M, so stay tuned for more metalcore content and other extreme music content due out very soon!

 

“Unbreakable”:

“Bones Exposed (live)”:

“The Depths (live)”:

Breaking News: A Lot Like Birds Release Third Single Off “DIVISI”

divisi

Words cannot describe the shock and pure excitement I had today when I opened up Youtube to see that A Lot Like Birds finally released the track “Trace the Lines”.  If you have been following my coverage of A Lot Like Birds’ upcoming fourth full length album, “DIVISI”, you would know that not only am I extremely excited for this album to be released, but I also was most anticipating hearing the track “Trace the Lines”, as the teaser for it was simply blissful.  Now, the single has officially been released, along with a music video to accompany it, continuing the theme of having every single released so far represented with a music video.

Harmonizing vocals and a slowly plucked, reverb-filled electric guitar gracefully start this track and instantly I find myself having goosebumps from the magnificent sounding first few measures.  Out of nowhere, string sections emerge and I can instantly tell this track will surpass already high expectations in a remarkable way.  Matt Coate and Cory Lockwood effortlessly trade back and forth as the first verse slowly fleshes out further and further as “Trace the Lines” builds up to the chorus heard in the teaser released months ago.  Next, intricate drumming and a slight but noticeable emphasis of suspense is heard as the first verse is about to come to a close.  The moment I heard the lines “I know it tore you up, it wasn’t by design” I uncontrollably starting singing along (at least attempting to) as I was overcome with complete and udder joy at how phenomenal this song sounds.  From hear on out, the song itself is nothing but masterfully written.  An earth-shattering, powerful chorus, slight but noticeable string section harmonies, and heartbreakingly honest lyrics like “I made you sick where I had meant to make you mine”, “Do you care that it’s over”, and “I said I loved you as a way to change the subject” help make “Trace the Lines” easily the most beautiful song I’ve heard this year.

The music video for “Trace the Lines” seems to be a sequel to the video of “The Sound of Us”, as it uses the same characters and themes from “The Sound of Us” video and the main character appears to wake up after experiencing the party and performance that he takes part in in the previous video.  Also, I found it interesting that in the first video, the band is seen wearing white button up shirts, compared to the all black attire and the decorated masks seen in “Trace the Lines”.  This could be symbolic of the relationship Cory and Matt are singing about coming to and end, or how the main character’s emotions went from joyous and happy in the first video to sober and depressive in the second.  Regardless, after watching the first 3 music videos I have decided that “DIVISI” needs a video album to accompany it.  Each music video so far has been rich with symbolism, solid acting, meaning, and an overall heightened representation of the tracks they accompany, and it would only make sense to now have a music video paired with every track heard on “DIVISI”.

At this point, I would do questionable things to hear the entire full length record tomorrow.  I will of course be playing “Trace the Lines” non-stop until May 5th, but the fact that every song released so far is stellar leaves me dying to hear the entire project, as this will definitely be a strong contender for the best album released in 2017.  If you don’t like the “DIVISI” singles, especially “Trace the Lines”, I simply do not understand your apparent odd taste in music.  Check out “Trace the Lines” below and stay tuned for more updates, as we are less than 2 weeks away from its release date!

My last two posts about A Lot Like Birds:

“For Shelley (Unheard)”:

https://eriksalbumreviews.wordpress.com/2017/03/31/breaking-news-a-lot-like-birds-release-first-single-of-upcoming-fourth-full-length-album-divisi/

“The Sound of Us”:
https://eriksalbumreviews.wordpress.com/2017/04/09/breaking-news-a-lot-like-birds-release-music-video-for-new-single-the-sound-of-us/

 

“Trace the Lines”:

Breaking News: A Lot Like Birds Release Music Video For New Single “The Sound of Us”

divisi

Shortly after releasing the first single for their upcoming album, “DIVISI”, A Lot Like Birds have another new single and music video to further build anticipation for the fourth full length studio album by the Sacramento based post hardcore band.  This latest single, titled “The Sound of Us”, showcases a better understanding of how diverse this album will be in composition while also giving ALLB fans a general idea of this new sound and song structure that A Lot Like Birds will encompass for years to come.

In my opinion, this track significantly resembles A Lot Like Birds’ older sound through certain aspects heard throughout “The Sound of Us”.  For starters, the sporadic and complex song structure is very similar to what is heard on “DIVISI’s” predecessor, “No Place”.  Even the use of various odd time signatures and artfully crafted instrumental performances easily sound like tracks heard on ALLB’s last two full length releases.  What differs “The Sound of Us” from these two records, however, is the absence of aggressive, even quirky sections that used to be prominent features in A Lot Like Birds tracks.  I for one think this is a reflection of positive improvement in songwriting, as the substitute of melodic, harsh vocal excluding influences replaces this hardcore/metalcore inspired aggressiveness that was both odd and, in my opinion, the sole aspect of ALLB’s material that held them back for the last few years.  Even though diehard fans might disagree with me and claim that this aggressive song structure is what brought ALLB to prominence, I believe this new sound heard in “For Shelley (Unheard)” and “The Sound of Us” is one that better fits the band itself and will have even more successful results than their sophomore and third full length albums.

Even though I still enjoy “For Shelley (Unheard)” a little more than “The Sound of Us”, due to it’s passionate and well thought out lyricism and overall anthemic structure that the song exemplifies, “The Sound of Us” is still a fantastic song.  Coming out of the gates with a fast paced tempo and technical yet melodic composition, “The Sound of Us” instantly grabs your attention and keeps you dialed in from start to finish.  This is also the first track released off “DIVISI” that features sections where Matt Coate is singing on his own.  This contrast and back-and-forth tag-team like approach to vocal tracking is something I instantly love and think will become one of the most memorable parts of “DIVISI”.  However, even though these two songs have been phenomenal singles, I still believe that “Trace the Lines” will completely steal the show once it is finally released!

The music video for “The Sound of Us” is attached below.  One thing I have noticed so far is that the “DIVISI” music videos appear to be well thought out and directed masterfully, with each one full of symbolism, fantastic actors, and even visual features that help enhance their respective tracks greatly.  I’m not sure how many music videos are left to be released for “DIVISI”, but if they follow this pattern step up by “For Shelley (Unheard)” and “The Sound of Us” then there’s no reason why they won’t be phenomenal.  Personally, I would love to see a video album to go alongside “DIVISI”, however the budget needed to accomplish this would be insanely high and is pretty much not feasible.  Regardless, this album is destined to be one of the best releases of 2017, even if you’re still reluctant to admit this, and A Lot Like Birds will benefit from this evolved sound more so than if they continued on the same path as “Conversation Piece” or “No Place”.  Essentially, A Lot Like Birds was very successful and accomplished before Kurt Travis joined and they adopted the more aggressive sound, and they will continue to find success without either one of these features.  Let us know what you think of “The Sound of Us” and stay tuned for more updates about A Lot Like Birds and their upcoming album, “DIVISI”.

 

“The Sound of Us”:

Track(s) of the Day Tuesday: KYLE iSpy (feat. Lil Yachty), LIL UZI VERT “XO TOUR Llif3”, and KHALID Location

Last week we were unable to add another installment to the Track of the Day Tuesday segment, so this week we have three songs that you need to check out!  Also, for the first time in months, a Track of the Day Tuesday post will feature exclusively hip hop artists, so this is an extremely significant week for the segment! Of course, all of the tracks mentioned will be attached below so don’t forget to give them a listen!

The first song you need to listen to today is Kyle’s “iSpy”, which is a collaboration between Kyle himself and Lil Yachty.  Kyle is a rapper who I’ve followed on and off for the last few years and it’s nice to finally see him receive mainstream attention.  With the single “iSpy” recently going Platinum (Music Canada) and being a top 5 selling track on US charts, it’s clear that Yachty and Kyle were meant to work together in a very similar way to how D.R.A.M. and Yachty were also destined to make a hit song together as well.  The track starts out with a feel good dialogue between Kyle and Lil Yachty, as the entire music video features the two rappers as cartoon characters moving through different scenarios on a fictitious beach.  It only takes a few seconds of Lil Yachty acting for any viewer to realize that the Atlanta based rapper needs to have his own cartoon show.  His dialogue, interaction with Kyle, and humorous and light hearted acting skills clearly shows that Lil Yachty has a natural talent as a cartoon voice actor, and I personally think a show about the rapper himself would be an instant classic (especially after seeing the great reaction Adult Swim’s “Mike Tyson Mysteries” has had since it’s launch).  The two rappers work together really well in this opening dialogue, as it becomes a perfect transition into Kyle’s first verse when the song opens.  Overall, this isn’t the most sophisticated or meaningful song you’ll ever hear, but it is without a doubt an extremely fun song to listen to regularly.  Yachty and Kyle’s ability to make a happy, fun song that is addictive to say the least clearly showcases what these two artists are best at.  In fact, the two of them did so well with “iSpy” that I’ve come to the conclusion that D.R.A.M, Lil Yachty, and Kyle all have to write an album together.  Not only were the three of them destined to work together, but a full length album, or even a mixtape, from these prominent artists could possibly result in one of the best hip hop albums of the year.  Needless to say, this collaboration absolutely needs to happen.

Next up is Lil Uzi Vert’s “XO TOUR Llif3”.  Lil Uzi Vert is an artist that, up until the release of this single, I had mixed opinions on.  Some of his tracks are very catchy and feature a solid song structure, but his recently released commercially successful mixtapes, like “The Perfect LUV Tape” and “Lil Uzi Vert Vs. The World”, are projects that I can only listen to for 15-20 min before I start to get annoyed with Lil Uzi Vert’s signature sound.  Not to mention that there are even some tracks that I find to be just terrible overall.  However, “XO TOUR Llif3” is nothing like anything we’ve heard from Lil Uzi Vert so far.  For starters, he’s abandoned overusing the word “Yeah”, which is a promising sign.  Also, the beat, produced by TM88, is actually one that is somber and breaks away from his traditional upbeat, EDM inspired beats.  Lastly, and what I think is the most significant aspect of this new release from Lil Uzi Vert, the lyricism heard is actually very deep, personal, and above all well written.  The song basically depicts a past relationship Lil Uzi Vert was in, how it ended poorly, and how his dependency on narcotics greatly affected his life at the time.  The lyricism is specific enough that the listener can understand what the song is generally about, yet it is still vague, allowing interpretation of the lyrics to change per person and also exemplifying Lil Uzi Vert’s progress as a lyricist himself.  His use of primarily sung vocals allows the listener to actually hear the pain in Lil Uzi Vert’s voice through verses and choruses as he discusses this troubling time in his life, which is something fans of Lil Uzi Vert haven’t heard until now.  Personally, I really enjoy how Lil Uzi Vert wrote the chorus to “XO TOUR Llif3”.  Keeping the lyricism and perspective very vague has caused different interpretations of the meaning of the chorus to surface and it has personally left me anxious to hear the true meaning to the lines heard in the track.  This is without a doubt Lil Uzi Vert’s greatest song he has ever released and I hope he has more tracks similar to “XO TOUR Llif3” coming out soon.

Lastly, I want to talk about another hip hop artist who I have found through Youtube.  Khalid is an El Paso based R&B/Hip Hop artist who recently made significant waves with his successful debut album “American Teen”.  The album is full of successful singles like “Saved” and “Coaster”, but the track you’ve probably heard by now is “Location”.  “Location” features a chill, full sounding beat that perfectly compliments Khalid’s phenomenal tone and singing.  I’m actually not too found of the lyricism heard on “Location”.  It’s not bad, but the verses could have definitely been rewritten to better explain the situation with the girl Khalid mentions throughout the song without being too straight forward.  However, this is definitely a minor suggestion as the lyrics are fine as the way they are now.  Khalid has a ton of potential and I would consider him and 6lack to be the future of modern R&B.  If you haven’t had a chance to listen to his tracks before, or if you’ve put off watching the “Location” music video after seeing it recommended on Youtube for awhile now, then you without a doubt need to give it a listen today.

Thanks again to everyone who has kept up to date with the Track of the Day Tuesday segment!  This segment is absolutely my favorite segment to write about for Erik’s Album Reviews and it’s great to see such a positive, continued response from viewers across the globe.  If you haven’t yet, check out some of our older Track of the Day Tuesday installments and let us know who you think should be featured on next week’s Track of the Day Tuesday post!

Breaking News: A Lot Like Birds Release First Single of Upcoming Fourth Full Length Album “DIVISI”

divisi

After four long years of waiting A Lot Like Birds have finally released new material.  On March 22nd, ALLB released the first single off the upcoming album called, “For Shelley (Unheard)”.  Their upcoming album, titled “DIVISI”, will be released on May 5th on Equal Vision Records and will be their fourth full length album and the follow up to the successful release, 2013’s “No Place”.

For those who might not follow the band that frequently, you might have missed the significance behind this upcoming record.  This will be the first ALLB record without Kurt Travis since 2009’s “Plan B” and will feature Cory Lockwood as the main vocalist with bassist Matt Coate adding some additional vocal performances.  Apparently, in the time between “No Place” and “DIVISI” Kurt Travis and the rest of ALLB had creative differences in how they would approach future releases under the moniker, A Lot Like Birds, and because of this, Kurt Travis ended up departing the band and the rest of the group pursued a less hardcore-influenced sound with Cory expanding on his vocal performance by switching from harsh vocals to “clean singing” vocals that required vocal lessons.  As a result, the first song as a product of this new direction has been released as “For Shelley (Unheard)”.

The success of this record for ALLB is crucial.  Not only is leaving behind one of the most prominent members of their band be a huge transition for fans, but abandoning their old influences to pursue a new, evolved sound is also be a risky path to pursue.  A Lot Like Birds have to present the best material they possible can as one unit to successfully pull this off, or else they could face the possibility of losing almost all of their fan base.  Luckily, this transition has created some of the best and most memorable material I’ve heard from them in their existence.  Personally, I am not a huge A Lot Like Birds fan, but I can definitely appreciate their material and influence in the post hardcore scene.  Not to mention that their debut full length, “Plan B”, is a catchy, experimental album that is highly underrated.  However, “Conversation Piece” and “No Place”, while they are good, don’t really have any memorable moments and I personally found it hard to really enjoy the releases, which could explain why the group has had such a hard time in growing in significance compared to other notable experimental post-hardcore groups like Dance Gavin Dance, Stolas, Hail the Sun, or even Slaves.  A Lot Like Birds truly needed a song like “For Shelley (Unheard)” to boost them back into significance and keep their status as one of the notable modern post-hardcore acts.

“For Shelley (Unheard)” is the most heart-wrenching, yet beautiful song you will hear all year.  An eerie rhythm guitar plays a few heavily distorted chords before a prominent, high pitched lead guitar pierces into the track crying with one of the catchy, bittersweet melodies that you will hear throughout the song.  From the moment Cory begins singing it is clear that his work on his vocal performance has produced great results and his new role in ALLB is nothing short of perfect.  If you read the description of the song you will see a tear-jerking, heartfelt letter from Cory himself explaining the meaning of the track and how his mom was the most important figure in his life and why he has dedicated this song to the superhuman mother that she was to him.  Knowing this background, you can literally hear the pain in Cory’s voice and stellar lyricism, and it’s shocking to say the least that Cory himself was still able to hit these high notes perfectly despite the fact that powerful emotions and memories were engulfing him during this point in his life.  The song structure goes between a verse that without fail builds up to the chorus every time it is heard.  The only thing I wish this song had was an anthemic section after the calm bridge.  I personally believe an emotion driven anthemic part would only intensify the raw emotion and musicianship heard from every member on this track, resulting in a practically flawless first single.  However, even without this, “For Shelley (Unheard)” is the single that A Lot Like Birds desperately needed in order to make “DIVISI” as important as it should be.

“DIVISI” will be a pivotal moment for ALLB.  Sure they will lose a lot of fans (as you can tell from the comment section on any other their recent videos, including the music video for “For Shelley (Unheard)”) due to the fact that their sound has drastically evolved to something a little closer to guitarist Michael Franzino’s project, alone., and they will also lose fans due to the fact that Kurt Travis is no longer apart of ALLB, but they will also gain a new era of fans as they go forward with this evolution of A Lot Like Birds.  The success and history of this Sacramento based group will be analyzed in two sections: before “DIVISI” and after “DIVISI”, with the post-“DIVISI” era, in my opinion, becoming the far more successful and influential era that puts ALLB into the spotlight in their respective scene.  The new sound exemplified so far will clearly fit them well, whether their older fans agree or not, and I guarantee this monumental transition will bring positive change for ALLB for years to come.

“For Shelley (Unheard)” is already an instant classic for A Lot Like Birds, but there is one song I absolutely cannot wait to hear.  The teaser below, which feature Cory recording the vocals for a pre-chorus and chorus of a song on “DIVISI” is addicting to say the least.  His powerful delivery, which becomes a borderline yell before the instrumental parts fade in, is captivating to say the least and makes me dying to hear the rest of this track.  As of right now I have no idea what the title of this song is, or if it will also be a single, but I can guarantee that it will be one of the greatest songs off of “DIVISI” and will be the Track of the Day Tuesday for sure!

In a little over a month, the most pivotal moment of ALLB’s career, the release of “DIVISI” on May 5th, 2017, will occur and their footprint in the post hardcore scene will not be the same.  In my opinion this new album will be A Lot Like Birds’ “Downtown Battle Mountain”, their “Saosin”, even their “On Letting Go”, and if you sleep on this record you will seriously be missing out.  Myself and the staff here at Erik’s Album Reviews will keep you posted with updates as we get closer to the release date, so stay tuned for more news about ALLB!  Also, check out the first single, “For Shelley (Unheard)”, below and while you’re on the site, see what other albums we’ve reviewed and what news stories you need to hear as well!

 

“For Shelley (Unheard)”:

Track(s) of the Day Tuesday: FIT FOR AN AUTOPSY Black Mammoth and TREEREFLECTION Morning

Last week we unfortunately missed the deadline to add a new post to the segment “Track of the Day Tuesday”.  So today, in order to make up for last week, we have two tracks that you absolutely need to check out!

The first track you should give a listen to today is Fit For An Autopsy’s “Black Mammoth”.  Fit For An Autopsy is a band that I have recognized for years as one of the greatest modern deathcore bands.  Their profound lyricism and bone-crushing riffs and breakdowns have separated Fit For An Autopsy (FFAA) from the average modern deathcore band.  That being said, my standards for any material released by FFAA is extremely high, especially after their third full length record, “Absolute Hope, Absolute Hell”, was a very subpar follow up to one of greatest deathcore albums ever to be released, “Hellbound”.  So, when Fit For An Autopsy released “The Great Collapse” last Friday, my skepticism for whether or not FFAA will be able to redeem themselves was very high.  To my surprise, however, they greatly surpassed these expectations, and the track, “Black Mammoth”, was one of the leading factors that influenced this positive impression.

“Black Mammoth” is a track that discusses the vast negative impact of the Dakota Access Pipeline and how the destruction of the environment for various, insignificant reasons in situations similar to the Dakota Access Pipeline case study are not only drastic and inhumane towards those who live in these areas, but they also directly result in negative and irreversible consequences that affect all humans and inhabitants of this planet.  Even though FFAA is known for their remarkable lyricism, I was still pleasantly shocked to see them discuss such a significant topic in one of their tracks.  Not only is it rare that Fit For An Autopsy will discuss environmental issues in their music, but it is also extremely rare for environmental issues to be mentioned in metal music period!  Using their platform and limited space on their fourth full length album to discuss this prominent issue that we face today on a daily basis has caused my respect for Fit For An Autopsy to grow immensely.  Lyricism and lyrical message set aside, the instrumentation heard on “Black Mammoth” is easily the best performance on the entire record.  The melodic, yet still heavy riffs intertwine perfectly with Joe Badolato’s great vocal delivery, resulting in both a successful track and a record that surpasses its predecessor greatly.  Today you need to give this New Jersey based deathcore band a listen starting with the music video for “Black Mammoth” attached below.

The only thing more polarizing than extreme metal is ambient and soothing, soundscape filled electronic music.  After you have listened to the brutally heavy track that is “Black Mammoth” you should listen to the simply relaxing track “Morning” by TREEREFLECTION.  TREEREFLECTION is yet another fantastic artist represented by the successful Chilean vaporwave label, No Problema Tapes.  TREEREFLECTION, like the other well known artists on No Problema Tapes, writes primarily in atmospheric ambient music that heavily relies on the use of soundscapes and various pads.  What makes TREEREFLECTION stand out amongst the other No Problema artists is the incorporation of samples of sounds heard in nature and even slight but noticeable beats that help give “Morning” an electronic music vibe.  This style of songwriting is soothing, relaxing, stress relieving, and in my opinion, helps greatly with focusing on work.  I unfortunately could not find a stream of the song “Morning” individually, so instead I’ve attached the entire album, “Overcast” below.  Without a doubt, “Morning”, along with any other track heard on “Overcast”, is something you need to listen to today.

Even though “Morning” and “Black Mammoth” are two completely different songs, they are both “The Track of the Day Tuesday” and you absolutely need to give them a listen.  Whether it’s the genre defining song writing or even the impactful lyrical content on “Black Mammoth”, or the relaxing, blissfulness of “Morning”, it’s fair to say that these tracks are phenomenal and easily the two songs you should listen to today.  Check our past “Track of the Day Tuesday” installments to see what other songs we recommend you listen to, and of course, let us know what tracks you think should be featured on future “Track of the Day Tuesday” posts!

Breaking News: Young Thug Releases 2 New Music Videos and Releases “JEFFERY” On Vinyl

young-thug

One of my favorite rappers, Young Thug, has made some headlines in his most recent releases.  The Atlanta based rapper has released 2 new music videos in 2017 and his latest commercial mixtape, “JEFFERY”, is finally on vinyl!  The two music videos for the tracks “Wyclef Jean” and his latest single “Safe” have both become extremely successful video representations of these great Young Thug tracks, but both have made headlines for completely different reasons.

Back in January, the release of the “Wyclef Jean” music video instantly became a trending topic.  The song itself is fantastic, and “JEFFERY” is without a doubt my favorite mixtape in Thug’s discography, but how the video was filmed and the story behind it made this music video release so significant.  Throughout the entire video, the director, or as he describes it “co-director”, Ryan Staake, includes notes about how the video was filmed.  Apparently Young Thug had a ton of abstract and odd ideas for the music video, and some of these ideas did make it into the music video, but the major problem of the short film was that Young Thug never appeared in the music video.  Despite stating that he wanted to be in multiple shots and co-direct the entire video with Ryan, he arrived to the shoot hours late, even though he had been contacted by the film staff and his label, and he never once got out of his car.  However, even though Thug was extremely hard to work with, and essentially completely omitted from his own music video, the shots Ryan did get and his editing and commentary are extremely entertaining.  In fact, I guarantee that even if the music video was filmed as originally planned, I would still enjoy this version more.  It’s unfortunate that Young Thug was disrespectful to the people working on his own music video, but the final product from this unexpected turn of events has become truly iconic.

Young Thug’s latest music video, “Safe”, was released last Thursday, and unfortunately, it does not include a crazy back story like the one for “Wyclef Jean”.  The shots throughout the film are very simple and aren’t really anything too memorable, but what is prominent is the song itself.  “Safe” has yet to be released on any platform besides this music video on Youtube and serves as the first release of new music from Young Thug in 2017.  The song itself has easily become my favorite track from Young Thug.  The more material Thug releases, the more he truly discovers what his sound is.  His voice and delivery in his tracks continues to keep getting better and extremely unique and distinct.  Also, the quality of his beats continues to progress in a positive way, with each new release surpassing the other in quality of vocal performance and instrumental composition.  “Safe” features more of a laid back, near ambient, electronic beat that perfectly fits Young Thug style.  The captivating beat intertwines with Thug’s personal lyricism and delivery in a phenomenal way that I hope is present in the rest of Young Thug’s releases this year.

Finally, the extremely successful commercial mixtape, “JEFFERY”, is now available on vinyl for this first time ever!  Before this release, only “Barter 6”, Thug’s 2015 mixtape, was the only release of his available on vinyl.  “JEFFERY” has been pressed on standard vinyl, which can be purchased below, and on a Blue/White Marbled variant that appears to be completely sold out at the moment.  If you collect vinyl as avidly as I do, “JEFFERY” is a record you absolutely have to pick up.  Being one of the best Rap releases of 2016, “JEFFERY” is a must have for any fan of modern trap music.  Copies are already selling fast so pick up a copy now!

http://www.urbanoutfitters.com/urban/catalog/productdetail.jsp?id=42090118&category=A-VINYL-ALL

When “Safe” is released on other platforms we’ll be sure to be the first ones to let you know!  Also, stay tuned for any other release Young Thug has in store for 2017.  We also have more reviews of recently released hip hop projects that are due out this week and next so don’t forget to check back in to see what albums and mixtapes we review next!