Breaking News: The 2017 Summer Slaughter Tour Lineup and Dates Have Been Announced

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Recently, one of the heaviest touring festivals in extreme music, or as they like to brand themselves, “The Most Extreme Tour of the Year”, has finally announced their lineup and tour dates for the 2017 summer.  The Summer Slaughter tour, which is primarily run and funded by Sumerian Records and Sumerian Films (explains why the film “American Satan” is funding the tour and why there are multiple Sumerian bands on nearly every Summer Slaughter lineup), will run from July 27th until August 26th and will feature some of the biggest names in deathcore and death metal.

Personally, while I am a huge fan of literally every artist on this year’s bill, I am slightly disappointed to see a lack of diversity in the lineup.  Featuring a plethora of big name deathcore bands, and including some accomplished death metal acts with the likes of Origin, The Black Dahlia Murder, the Faceless, and of course, Dying Fetus, the Summer Slaughter tour is perfectly fit for one specific group of extreme music fans.  If you like the more aggressive styles of deathcore and modern death metal, then this tour is a dream come true.  However, for the metal fans that listen to a wide variety of heavy music, the streamlined roster may be slightly disappointing when comparing the 2017 lineup to past ones.  For example, the 2008 lineup featured a vast group of metal bands with everything from Vader to Cryptopsy, Aborted to Whitechapel, Despised Icon to Born of Osiris, and The Black Dahlia Murder to the Faceless.  In comparison, only 5 years ago in 2012, the Summer Slaughter lineup featured GoatWhore, Exhumed, and Periphery, and even featured Between the Buried and Me going on stage right before the headliner, Cannibal Corpse!  This extreme variation in styles of metal and sizes of recognition and fan base within the metal community exemplifies how diverse the Summer Slaughter lineup can get.  While this year’s lineup is sure to feature great live bands who are some of the heavyweights in their respective genres and are guaranteed to bring in some of the greatest ticket sales the tour has ever seen (due of course to their relevancy and more “radio friendly” sound compared to other artists in past lineups), the lack of true metal diversity is hopefully a trend that does not stick with the annual Summer Slaughter tour.

2008’s lineup:

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2012’s lineup:

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This is, however, the first year that I am a big fan of every artist on the roster.  This, of course, means I will be able to witness hours upon hours of my favorite deathcore and death metal bands play live in a row, but will unfortunately prevent me from discovering new artists that I might become extremely found of, like how I became a huge fan of Beyond Creation after seeing them on the 2015 Summer Slaughter tour.  The full tour poster for the 2017 tour is attached below.  To see complete lineups, visit your local venue’s website to see what local bands will also find a spot on the festival’s date nearest you!  Also, maybe next year we will finally see a black metal band play the Summer Slaughter tour, but until then, enjoy the greatest deathcore and death metal roster the Summer Slaughter tour has ever created!

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Breaking News: Fit For An Autopsy Announce Headlining Tour with Tombs and Moon Tooth

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Recently, the trailblazing, New Jersey based deathcore band, Fit For An Autopsy, announced a new headlining tour in support of their fourth full length album, “The Great Collapse”, which was released earlier this year.  The US tour will start this June and will run until the first week in July and features only 20 total dates.

What’s most interesting about this tour is the support FFAA will have while performing in support of “The Great Collapse”.  Only two other bands are embarking on this North American tour: the famous death metal band Tombs and lesser known, but extremely skilled, prog/math metal band Moon Tooth.  This support is pretty odd, yet fitting for the tour itself.  It is peculiar to see a deathcore band play alongside these notable bands, especially Tombs who have a completely different sound and possibly a bigger fan base, but FFAA is becoming one of the few versatile modern deathcore bands who can successfully and effectively tour with deathcore, metalcore, death metal, deathgrind, and other varying genres of extreme metal without appearing out of place on the lineup.  In fact, after further listening to the two supporting bands for the upcoming tour, it actually seems like the 3 groups themselves will actually fit well together on this upcoming tour.  Even though Tombs does embody a sound that is very unlike Fit For An Autopsy, the aggressiveness and overall heaviness of their sound is actually very similar in comparison.  Also, after listening briefly to Moon Tooth, its pretty apparent that their songwriting and guitar riffs heard on projects like “Chromaparagon” is extremely similar to FFAA, and one could even go on to say that riffs heard on “The Great Collapse” could be directly inspired and influenced by the 2016 Moon Tooth album.  A small group of diverse, yet similar bands should result in one of the most entertaining metal shows to come to a city near you this summer.

Fit For An Autopsy have seen some extremely successful recent years as a band.  Not only have they released some genre defying albums, but they’ve also had very well known, prominent bands like Tombs, Aborted, Lorna Shore, and Black Tongue open up for them.  This tour, which will feature FFAA playing mostly tracks off the latest full length album and older tracks that they haven’t performed in awhile, is sure to be one of the most interesting tours you will see all year.  The official tour poster is attached below for you to see where’s the nearest place to see FFAA, Tombs, and Moon Tooth perform on the same stage!  Also, I do want to mention that the new version of the artwork featured on the poster actually looks better than the original artwork.  The blueish filter applied to the artwork looks fantastic, and after seeing it I really wish it was used for the album itself, rather than just the tour poster.  Lastly, a video review of “The Great Collapse” will be posted to the Erik’s Album Reviews Youtube channel and will be one of the first ever reviews published in video form!  Check out the channel below and visit the site for more news and reviews about Fit For An Autopsy!

Erik’s Album Reviews Youtube Channel:

https://www.youtube.com/channel/UCT2WZ3e5utc9eqs7JF8PnTA/videos

 

“The Great Collapse” Tour Poster:

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Track of the Day Tuesday: LORNA SHORE Godmaker

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This week the “Track of the Day Tuesday” is by a heavier, New Jersey based deathcore band called Lorna Shore.  Lorna Shore is actually a group that I discovered in 2013 after their drummer actively posted on the site, Vinylcollective.com.  Being a huge vinyl collector myself, I was able to talk to him through the forums and messaging function on the site about his band, who was fairly unknown at the time, Lorna Shore.  In 2013, I rarely listened to anything heavier than you’re basic deathcore bands like Chelsea Grin, Suicide Silence, and As Blood Runs Black, so the “Maleficium” EP was too heavy for me to enjoy when I first heard it.  However, after listening to their sophomore album, “Flesh Coffin”, which was recently released (by the way a review for “Flesh Coffin” is in the works), I realized how amazing this young deathcore band is and decided to revisit older works, especially the “Maleficium” EP.  After listening to these tracks for the first time in years, I was shocked to hear how amazing the project truly is, more specifically the successful single, “Godmaker”.  It is because of this that I have decided to name “Godmaker”, the best song on the 2013 “Maleficium” EP in my opinion, the “Track of the Day Tuesday”.

“Godmaker” is an eerie track that starts off with different sounds and effects that could easily be heard in the most suspenseful horror movie.  After the near minute intro, the track then brings in the full band as the guitars hit three melodic minor chords before going into a fast paced deathcore riff.  Throughout the track, multiple tempo changes, transitions between breakdowns and mind-numbing riffs, and astonishing blast beats accompanied by an impressively chilling vocal performance are heard, which help make “Godmaker” so memorable.  However, the most remarkable aspect isn’t any of the features previously mentioned.  In fact, it is the atonal guitar lead heard over the breakdown at (3:48?) in the track.  Not only does this lead guitar part make this breakdown even more brutal, but it adds a horrific (in a very good way), gothic influenced mood and sound to the already heinous track.  The atonal lead part, which you can listen to below, has made “Godmaker” not only one of my favorite tracks off “Maleficium”, but one of my favorite Lorna Shore songs in their discography, while also further proving my theory that melody, whether its tonal, atonal, or influenced and categorized differently, can help improve the song structure of even the most brutally heavy deathcore tracks, resulting in a more memorable project.

The music video for “Godmaker” is attached below.  Of course, I highly suggest you check out the “Track of the Day Tuesday” for both this week and previous weeks.  Also, if you are a Lorna Shore fan, stay tuned as I will be doing reviews for “Flesh Coffin” and possibly “Psalms”.  Lastly, let us know what you think should be next week’s “Track of the Day Tuesday” and stay tuned for more reviews and content to be released later this week!