500 Word Review: Enterprise Earth “Embodiment”

embodiment

For the last 3 years I’ve been big fan of Enterprise Earth, which is the band that Dan Watson went on to found and front after leaving Infant Annihilator in 2014. I discovered the group’s debut EP “23” months after it’s release and instantly loved the entire project. Personally, at the time I thought that Enterprise Earth would be one of the bands that encompasses the future of deathcore, and if their songwriting and stellar musicianship could stay constant or even improve, they would easily become one of the best artists in the genre’s brief history.

Upon first listening to the band’s debut full length album, “Patient 0”, I found the project to be very disappointing initially. The uniqueness of “23” that made me truly enjoy the EP itself seemed to be omitted from “Patient 0”, and as a result, it took multiple listens to truly hear the distinction between tracks. However, after revisiting the album months later, I enjoyed the record a lot more than I did after hearing it soon after it’s release. “Patient 0’s” aggressive and more technical composition definitely separated itself, in a good way, from the rest of the noise heard in the modern deathcore scene, but it was still much harder to distinguish differences between tracks on the album itself compared to “23”, where each track is unique and instantly recognizable. Regardless, it was clear that Enterprise Earth was releasing material on a whole other tier than any of the other new deathcore band to emerge in the last few years, so upon seeing the announcement of “Embodiment’s” 2017 release, I was very excited to hear what Enterprise Earth would put out next.

For starters, the artwork instantly caught my full attention. With a space themed album artwork, it appeared as if Enterprise Earth was at least returning to the themes heard on “23”, which was a great sign to initially see upon album announcement. In fact, after hearing the first single, “Mortem Incarnatum”, it became more evident that this sophomore album may be very similar to the iconic debut EP.

After listening to the entire sophomore full length record in its entirety, I can confirm that this is without a doubt yet another superb Enterprise Earth release. Pummeling, complex riffs and unrelenting, face smashing breakdowns give any listener chills while making it nearly impossible to not headbang during these bone-crushing moments, especially during tracks like “Temptress”. This album is full of hard hitting, fast, and aggressive sections that are masterfully performed by the Spokane based deathcore act themselves, exemplifying why this band is a role model for the rest of the newly formed deathcore groups globally. Eerie, and at some moments, ambient leads and intricate, chugging riffs are frequently heard, which were featured on both “23” and “Patient 0” and show the references to older material and song structure that help maintain Enterprise Earth’s signature sound. Dan Watson’s vocals sound amazing, but I actually prefer how they were recorded and mixed on “Patient 0” far more and believe that how his vocal performance is mixed on “Embodiment” actually really hurts the release itself. His genre trailblazing vocal performance and technique should be at the forefront of each track, and mixing it to a quieter, less prominent volume, like what is heard on “Embodiment”, truly takes away from the Enterprise Earth sound.

“Father of Abortion” brings back the excellent use of guitar and overall production effects that I loved on “23”, especially “Masquerade of Angels”.  Don’t be confused by the handful of complaints, “Patient 0” was fantastic, but it lacked the distinct, memorable sections that every song on “23” had, resulting in a debut album where many songs seem to blend together. “Embodiment”, interestingly enough, actually sounds like the natural succession to “23”, showing a return to form from Enterprise Earth and making “Patient 0” seem almost out of place as if it were an experimental project or a diversion from the classic Enterprise Earth sound.  Essentially it almost seems like the influence from “23” skips over “Patient 0” and finds itself embedded in “Embodiment”.  It’s nearly impossible currently to determine which full length record is the best album by Enterprise Earth, as each one has unique features and qualities that I truly admire, but it definitely is interesting to have another Enterprise Earth release that features an expanded sound and overall composition of the classic EP, “23”.

Lastly, I want to reiterate that I still really enjoy “Patient 0”, and actually, at times I enjoy riffs and even tracks heard on the debut full length, like “Shallow Breath”, more than “Embodiment”, but hearing the natural succession to “23” is a great feeling and results in yet another sensational Enterprise Earth release. “Embodiment” keeps your attention on the material focused and unwavering from start to finish, resulting in a truly enjoyable full length record. I have very few complaints about this record, as it represents everything I hoped to see in a new Enterprise Earth release. Overall, I give “Embodiment” a 9.0/10, and have attached the full stream of the album below for you to listen to! The release is not only one of the best deathcore albums of this year, which is saying something as a plethora of phenomenal deathcore albums have already surfaced before 2017’s halfway point, but it should also earn a spot on our Albums of the Year list come late December. Definitely give this album, and later releases, from Enterprise Earth a listen and stay tuned for more metal content due out very soon!  Also check back in soon as I will be posting reviews for both “Patient 0” and the EP, “23”!

 

“Embodiment”:

Advertisements

Welcome to the Erik’s Album Reviews Youtube Channel!

IMG_3779

Do you like watching Youtubers talk about their vinyl, cassette and CD collections? Do you enjoy watching unboxing videos of physical formats for metal, punk, electronic, and other genres?  Do you like watching album reviews?  If you said yes to any of those questions then you need to subscribe to our recently launched Youtube channel, which will feature everything mentioned and then some!  Drop a sub at the link below and check out our first ever Collection Update and our Relapse Records 10 LP grab bag video attached below!

 

Erik’s Album Reviews Youtube Channel:

https://www.youtube.com/channel/UCT2WZ3e5utc9eqs7JF8PnTA/videos

The First Collection Update Part 1:

 

The First Collection Update Part 2:

 

Relapse Records 10 LP Grab Bag + Dying Fetus “Reign Supreme” Vinyl:

Track(s) of the Day Tuesday: PANOPTICON Into the North Woods, BLACK TONGUE In The Wake Ov The Wolf, PROTEST THE HERO Yellow Teeth, and SEVDALIZA That Other Girl

img_3450

After missing the first few weeks of 2017, we’re finally back with one of our favorite segments, “Track of the Day Tuesday”!  Usually, every Tuesday we post about what track you absolutely need to listen to today and why.  Since we had a slow start to the new year, we decided to make up for lost time and give you FOUR tracks that you need to give a listen to today!  Unfortunately, all of the songs, except for “That Other Girl”, are metal tracks, so there isn’t much diversity in the group.  However, each track and artist listed is fantastic and I highly suggest you give each song a listen today!  Here is our largest “Track of the Day Tuesday” segment ever!

First I want to discuss American Black Metal act, Panopticon’s, “Into the North Woods”.  Panopticon is one of the US based Black Metal groups that I have heard nothing but positive reviews about, but have continued to procrastinate with giving them a listen.  In fact, I first heard about how phenomenal Panopticon’s “Autumn Eternal” was through CountBlagorath’s Youtube channel.  After finally giving the Black Metal band a listen I can agree with all the hype that Panopticon is a fantastic band.  Despite only hearing a few projects by the Minnesota based band, it is obvious to any listener that their musical ability and skill in songwriting surpasses the standards set by modern Black Metal.  If you love melodic Black Metal with heavy folk influences, then you not only have to check out “Into the North Woods”, but the entire “Autumn Eternal” album.  Panopticon might be one of the greatest American Black Metal bands of all time, and I highly suggest you don’t sleep on this group like I did!

Next up on the list of tracks you need to listen to today is Black Tongue’s “In The Wake Ov The Wolf”.  If you’re familiar at all with the deathcore band, Infant Annihilator, then you will know that after the departure of Dan Watson, guitarist and drummer Eddie Pickard and Aaron Kitcher, went on to form a separate, downtempo deathcore group called Black Tongue.  Black Tongue, in the 3 years of being a full time band, have already seen an immense amount of success in the metal community and in their own songwriting.  Releasing 2 EPs and a full length record titled “The Unconquerable Dark”, Black Tongue have begun to solidify themselves as a prominent leader in the continuously growing sub-genre that is downtempo deathcore.  As you might have guessed, I also slept on their full length record despite the fact that I absolutely loved their fist two releases.  After finally checking out “The Unconquearable Dark” I cannot stop listening to the entire 2015 album.  That being said, this is a record you need to give a listen to as well, and I suggest you start off with the track “In The Wake Ov The Wolf”.  “In The Wake Ov The Wolf” was one of the first singles released off the debut full length and it has easily become one of the catchiest songs on the entire record.  I know it might be hard to imagine downtempo, beat down deathcore to be labeled as “catchy”, but the leads and chord progressions heard, especially in the chorus, are absolutely addicting and get stuck in your head immediately after listening to the entire track.  If you are not familiar with the new Black Tongue album, or the sub-genre they write in general, “In the Wake OV The Wolf” is the perfect place to start.

For those who have been reading the blog for the last few months you will remember that I wrote a blog post about the upcoming August Burns Red tour.  Last year, Lancaster’s own, August Burns Red, announced that they would do a North America tour performing “Messengers” for its 10th anniversary.  Recently, the 10 year Messengers tour went through Denver, Colorado and I was able to attend the show!  Of course, the concert itself was phenomenal, but what truly stuck out was actually Protest the Hero’s performance.  Once again, Protest the Hero was another band I heard great things about but never thought to give their discography a listen.  However, I was completely and absolutely blown away by their seamlessly flawless performance.  Every song was perfectly crafted with face melting riffs, intricate drumming, and (for a lack of a better term) impressive vocals that made me listen to the Canadian group non-stop for days after the show.  So far I can say that “Yellow Teeth” is my favorite track by Protest the Hero.  The high pitched vocals cry out as a speedy instrumental section burns through chugging and melodic shredding riffs.  If you want to be blown away by insane musicianship, then stop reading this post right now, scroll down to the bottom of the page, and listen to “Yellow Teeth” by Protest the Hero and enjoy one of the best Modern Progressive Metal acts.

Finally, the last track I want to share with you today is an experimental pop track by the Iranian upcoming pop artist, Sevdaliza.  Sevdaliza’s music, and the music videos that accompany her catalog, are mesmerizing to put it simply.  Sevdaliza’s approach to her songwriting and how she visually portrays these tracks is something that not only makes her unique, but will also allow her to reshape and change the genre of experimental pop completely.  There isn’t a single bad place to start when first listening to Sevdaliza, but I must say that Sevdaliza’s “That Other Girl” is one of her masterpieces so far and is a track that you must listen to, regardless of what other songs by the Iranian pop artist you’ve heard so far.  Plus the 2000s-esque style of animation featured in the music video for “That Other Girl” is not only trippy, but extremely nostalgic and entertaining.  I guarantee I’ll be writing a lot more about Sevdaliza in the future, so if you really enjoy this track stay tuned and I’ll be sure to post about other songs in her discography.

Of course, every song mentioned is attached below.  I know this is a lot to take in all at once, but these four songs are tracks you absolutely need to give a listen to today.  The “Track of the Day Tuesday” segment is a segment I greatly enjoy writing and the staff here at Erik’s Album Reviews is extremely glad that we can continue this segment into 2017.  Check out the songs mentioned below, let us know what you think of the tracks, and of course, let us know what songs you would like to see featured on future installments to “Track of the Day Tuesday”!

 

Panopticon’s “Into the North Woods”:

Black Tongue’s “In The Wake Ov The Wolf”:

Protest the Hero’s “Yellow Teeth”:

Sevdaliza’s “That Other Girl”: