Album Review: DANNY BROWN Atrocity Exhibition

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Last last year accomplished hip-hop artist, Danny Brown, released his latest project, the full length record, “Atrocity Exhibition”.  After switching labels to Warp Records, there was speculation that Danny would yet again venture into a different sound and approach for this 2016 release.  However, no one, including myself, could’ve seen this drastic new change in sound and experimentation coming.

Personally, I discovered Danny’s material during the “Old” album cycle and instantly fell in love with the EDM based hip hop tracks.  Songs like “Side B (Dope Song)”, “Kush Coma”, “Dip”, and his collaboration with EDM artist, Rustie, with the song, “Attak” almost immediately became not only some of the greatest rap songs I had ever heard by the Detroit based artist, but some of the most stellar hip hop tracks I ever heard period.  It was clear that Danny’s distinct songwriting and sound was unparalleled to the rest of the noise in the genre, even after hearing only a fraction of his entire discography.

After listening to “Atrocity Exhibition”, my first reaction was complete shock at how Danny Brown was able to take 15 of the most odd, peculiar, and to put it simply, weirdest, beats I had ever heard and turn them into successfully written hip hop tracks.  Especially starting out with tracks off “Old” that follow a very simplistic, catchy, festival-oriented structure, it completely took me off guard to hear such experimentation from Danny on “Atrocity Exhibition”.  Tracks like “Downward Spiral”, “Get Hi”, and “Goldust” left me utterly dumbfounded at how Danny can take these bizarre instrumental tracks and record a vocal performance that not only rhythmically makes sense, but actually results in well-written songs that I actually enjoy.

Despite the odd approach to songwriting, every track seems to fit well in the track listing.  The songs themselves, beats, and song structure may vary greatly, especially when comparing songs like “Really Doe” and “Goldust”, however each track seems to fit perfectly into the overall composition of the album as a whole. On one hand, “Really Doe” features a very modern, almost radio friendly beat with features from Kendrick, Ab-Soul, and Earl Sweatshirt. On the other, “Goldust” features multiple, repetitive horn section parts accompanied by an overly distorted electric guitar strumming barely audible chords.  However, each track features the same avant-garde influences while also including impactful lyricism that is often filled with dark imagery and honest depictions of Danny’s thoughts, experiences, and environment around him, like what is heard on “Ain’t It Funny”, “Really Doe”, “Pneumonia”, “When It Rain”, “Tell Me What I Don’t Know”, and “Get Hi”, showing how each track does not seem out of place on “Atrocity Exhibition”, despite the fact that no two songs are fairly alike in sound or overall composition.  The spectrum of influences, sounds, song structure, differences in beats, and even vocal delivery is extremely broad in Atrocity Exhibition and trying to compare any two songs on the album, whether its “Ain’t It Funny” vs “Hell For It”, “Get Hi” vs “Pneumonia”, or “When It Rain” vs “Downward Spiral”, perfectly exemplifies the blatant diversity that is without a doubt the most memorable aspect throughout the latest Danny Brown project.

There really aren’t any significant complaints I have about this album in general.  The only songs I really don’t like on “Atrocity Exhibition” are the “Downward Spiral” and “Rolling Stone”.  “Downward Spiral’s” beat is so bizarre that it takes multiple listens to just get used to its odd sound.  Also, “Downward Spiral” is a fairly weak way to start out the album.  The lyricism represents what is to come in “Atrocity Exhibition”, however, the very laid back, lazy sounding beat should not be the first thing you hear on this latest Danny Brown project.  Honestly, if “Downward Spiral” and “Pneumonia” switched places in track order I think this album would sound even better when listening to it from start to finish.  I personally can’t imagine how powerful it would sound to have “Pneumonia” as the first track you hear off of “Atrocity Exhibition”.  The haunting, echoing bells heard in the hook that starts the song would instantly grab my attention and keep it unwavering, which is something that “Downward Spiral” simply cannot do.  Also, having “Downward Spiral” at the halfway point of the record would symbolize how the audience is about to dive further into Danny’s unique songwriting and dark lyricism before hearing tracks like “Today, “When It Rain”, and “Dance In The Water”. To me, “Rolling Stone’s” hook is both redundant and annoying and I personally believe it slightly holds the entire album back.  If it had a different hook it might be better overall, but regardless it is definitely one of the weakest songs on the project.

Despite these minor setbacks, there are numerous aspects that I personally thoroughly enjoyed on “Atrocity Exhibition”.  For starters, the sampling on “Lost” is sensational.  The repeated looping of the horn part, keyboard melody, and female vocal track provide a simple, repetitive beat that fits Danny’s vocal performance flawlessly (not to mention this song would fit in well with any of the old Tony Hawk video game soundtracks, as it features the same looping beats heard on hip hop tracks on these soundtracks).  Interestingly enough, “Tell Me What I Don’t Know” and “From the Ground” are songs that don’t feature vocals from Danny himself.  This is something he’s done before on previous releases, but it’s very interesting to hear a song he wrote that does not feature any vocal performance from the rapper personally.  In my opinion, I would love to see more prominent hip hop artists write songs that don’t feature their own vocals, as I think this is a really interesting concept that adds further diversity to projects, but I can see how this idea might cause some negative feedback from these artists respective fan bases.  I absolutely loved “Dance in the Water”, as the internationally influenced beats, backing vocals, and overall melody make it an extremely catchy song that I wouldn’t be surprised to hear on the next FIFA soundtrack.  Lastly, I personally think that “Ain’t It Funny”, which recently saw the release of a music video directed by actor Jonah Hill made for the track itself, despite the criticism the song got.  The beat on “Ain’t It Funny” is stupid catchy, and when mixed with the self-destructive, dark, and honest lyricism featured, “Ain’t It Funny” instantly becomes one of the most significant songs you will hear from Danny Brown on this 2016 project.  My favorite tracks off “Atrocity Exhibition” have to be “Ain’t It Funny”, “Really Doe”, “Pneumonia”, “When It Rain”, and “Dance in the Water”, and the more I listen to the record the closer I get to declaring “Atrocity Exhibition” as the greatest Danny Brown release in his discography.

“Atrocity Exhibition” was the greatest hip hop release of 2016, and was the 6th best album of 2016, only falling behind artists like Saor, Trophy Eyes, Fallujah, Real Friends, and Every Time I Die.  This project truly pushes the limits and creativeness of hip-hop and will hopefully pave the way for future projects at the same caliber of excellence as “Atrocity Exhibition”.  Personally, I still can’t get over my initial reaction of how shook I was after hearing “When It Rain” and waiting for the bass to drop, like in “Dip”, only to never hear the anticipated drop.  Even though I was initially disappointed to not hear more EDM inspired tracks from Danny Brown, I am ecstatic to instead receive one of the best projects ever released in hip hop’s modern history.  Danny Brown will be remembered as a trailblazer in hip hop and his projects will surely inspire countless other phenomenal artists and projects.  In summation, I give “Atrocity Exhibition” a 9.6/10, and I cannot stress enough how important it is to listen to and truly appreciate this album.  Danny Brown’s latest project is attached below.  Give it a listen and stay tuned for more reviews due out very soon!

 

“Atrocity Exhibition”:

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Breaking News: Danny Brown Releases Lyric Video For Track “Really Doe”

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In continued promotion of his latest project, “Atrocity Exhibition”, Danny Brown has released a lyric video for one of the initial singles, “Really Doe”, which features verses from Ab-Soul, Earl Sweatshirt, and also features both a verse and a chorus from Kendrick Lamar.  This track, which is one of my favorites off this experimental release, has quickly seen widespread, positive feedback from fans, so it is only fitting that one of the most successful songs would also get a lyric video.

The lyric video features a rough, altered mashup VHS quality videos of each rapper performing, crowd shots, and various street shots, often running simultaneously, with the lyrics scrolling up in red text.  The video is extremely dark, experimental, and visually odd in a compelling way, and completely embodies the theme and sound of “Atrocity Exhibition”.  Even though I still think the music video for “Pneumonia” is still the best visual project associated with Danny Brown’s fourth studio album, it is obvious that this lyric video is the best, or at least one of the best, video representations of the record.  The eeriness of this distorted video is directly related to the warped artwork for “Atrocity Exhibition”, and in my opinion, makes watching this lyric video essential in order to truly understand the underlying theme of dark and odd experimentation seen on this project.

I have gotten extremely behind on album reviews, but I promise the review for “Atrocity Exhibition” will be out soon!  I can almost guarantee that this will be the greatest rap album released this year and will definitely be in the top 10 for the Albums of the Year list.  I highly suggest anyone reading this to watch this unique lyric video and check out the rest of the latest Danny Brown record.  My previous review of the “Pneumonia” music video is also posted below and be sure to check out the album review of “Atrocity Exhibition”, which should be out next week!

“Pneumonia” Music Video Review:

https://eriksalbumreviews.wordpress.com/2016/10/18/breaking-news-danny-brown-releases-new-music-video-for-the-track-pneumonia/

“Really Doe” Lyric Video:

Breaking News: Danny Brown Releases New Music Video For The Track “Pneumonia”

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Detroit rap legend, Danny Brown, has recently released his fourth studio album, “Atrocity Exhibition”.  To go alongside this record, Danny has released two music videos for singles off his latest project.  The first video was for the first single “When It Rain” and late last week the second video was released for the second single, “Pneumonia”.  With the exemption of “Really Doe”, these two tracks are probably my favorites so far off this new album.  They are both extremely experimental that feature hard hitting, in your face beats with deep and very personal lyrics.  I might slightly prefer “Pneumonia” over “When It Rain”, but regardless both of these tracks are outstanding and were great singles that represent the album in a positive way.

The video for “Pneumonia” is by far the better music video out of the two that were released for “Atrocity Exhibition”.  In fact, this is without a doubt one of the greatest rap music videos I’ve ever watched before.  The video features two main shots throughout the song.  One shot is of Danny Brown dressed up in a suit apparently doing a press conference of some sort where he raps the lyrics to this track behind a podium with a sole microphone attached.  The other shot, which is the majority of the video and the most memorable shot in the video is of Danny attached to multiple, long hanging chain links, which appear to be coming out of the sky.  These chains often have him swaying above the ground in a position similar to that of a puppet on a string.  While he raps through the song the chains manipulate, drag, and throw Danny around like a rag doll and possibly serve as a metaphor for Danny being absolutely helpless and controlled by aspects of his life that he is dependent on or “chained” to.

The song itself is equally as notable as the video.  “Pneumonia” features a bizarre beat with multiple eerie bells and bass lines.  The song is as dark and ominous as the video itself, but at the same time it is also one of the most addictive songs on the project and simply cannot be played once without instantly replaying it.  The lyrics appear to be telling the story of Danny’s past experience in drug dealing throughout Detroit, however in an interview he did recently, Danny goes on to say that “Pneumonia” is actually a party song and doesn’t fit in with any themes or concepts that might be heard on “Atrocity Exhibition”.  Despite this, the lyrics themselves help emphasis the dark and serious tone heard on this song and without knowing about Danny’s statement, it’s hard to classify this song as a party song after hearing its unique sound. I still need to listen to the entire record a few more times before I can make a well-thought out opinion about the album, but I can say for sure that this is one of the greatest tracks on the latest Danny Brown release and is also one of the greatest rap songs you will hear in all of 2016.

I have been working on a review of this project for the last few days and I should have it posted on here very soon!  Watch the stellar video for “Pneumonia” below and while you’re at it listen to the rest of “Atrocity Exhibition”.  If your opinion about this video is different then what I have said, or if we agree with the significance of this track, then let us know in the comments!

The Thursday Ten: 10/6/16

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This week a new segment is getting introduced on Erik’s Album Reviews called “The Thursday Ten”.  Every week on Thursday ten albums will be given a quick rating of a whole number out of 10.  These albums are listened to 1-2 times through max and will not have any other description besides their numerical rating.  However, it is common that an album mentioned on “The Thursday Ten” will later get a 500 word album review or a full album review.  Also if you would like a more in depth review for an album or have a different opinion on the ratings let us know in the comments or shoot us an email!  But regardless, here is the first ever post for “The Thursday Ten”:

  1.  Arbes – Swimmer: 10/10
  2. Void Omnia – Dying Light: 8/10
  3. Taking Back Sunday – Tidal Wave: 8/10
  4. Danny Brown – Really Doe (feat. Kendrick Lamar, Ab-Soul, and Earl Sweatshirt) *single/not an album*: 9/10
  5. Frank Ocean – Blonde: 7/10
  6. Young Thug – Jeffery: 8/10
  7. West Berlin – The Northern Misery: 8/10
  8. Trophy Eyes – Chlorine: 9/10 – Heaven Sent: 8/10 *singles/not an album*
  9. Deafheaven – New Bermuda: 6/10
  10. Aborted – Retrogore: 8/10

 

There are too many releases listed to post videos and links for every single one, however, every single album rated can be heard on Spotify, Youtube, or Bandcamp.  Make sure to give these records a listen and let us know what albums should make it onto the list for next week’s “The Thursday Ten”!