Being a huge fan of No Problema Tapes, I often check out their new releases or releases I haven’t given a listen to yet. That being said, Chotto Suki’s “Mother Nature’s Silver Seed” is the latest release from the Chilean label, so of course I had to give it a listen. At first listen, this project by Suki himself is not what I would expect to hear from an ambient artist, based off the experience I have with the electronic music subgenre so far. The use of real life action-based samples along with polarizing tracks and song structures gives a different take on the ambient, atmospheric sound No Problema Tapes artists usually show in their releases. “Mother Nature’s Silver Seed” has many faces as the core sound of the project rapidly changes from track to track. I usually never break down an album track by track, but in this situation, it’s almost necessary to process this album by analyzing each individual song first then the entire project as a whole.
The album starts off strong with an instantly memorable song titled “Night Drive”. “Night Drive’s” ominous sound made from steady bass lines and peculiar percussion, mixed with their sample of a guy getting in a car and the album art that depicts a Japanese city at night gives me a Bladerunner vibe while listening. You instantly feel immersed in the music, artwork, and project as a whole, which instantly allows the listener to visualize multiple scenes while listening to this entire record.
“Landescape” quickly moves to a atmospheric, natured influenced track that imagines me getting out of the eerie city into a gorgeous, Amazonian landscape (pun intended) where all I hear is a calming synth, a beautiful guitar, and the nature around me. I personally wish this track was longer as it is captivating, complex, artfully crafted, and above all, simply beautiful, and it’s mere 3:20 in playing time does not give it enough justice. It’s hard to not declare “Mother Nature’s Silver Seed” as an instant classic ambient album, even after hearing just the first two tracks, and “Landescape” provides enough proof on its own that this release is not one to be overlooked.
The title track, “Mother Nature’s Silver Seed”, is very similar to “Landescape”, but the vibe transitions from a happy, nature atmosphere, to a more serene, atmospheric one. The new sound and vibe experienced allows me to visualize walking through the Amazonian land to now come across a deserted village that appears to be abandoned, with precious items left behind due to an abrupt desertion. The popping of what sounds like a vinyl record being spun heightens the pensiveness of this song and actually serves as a very smooth transition through this eclectic in sound album. The layered soundscapes also sound beautiful and help connect the use of similar sounding synths in the previous track to what you hear on this song, “Mother Nature’s Silver Seed”.
“On the Way Back” also finds a way to bridge the gap between two polarizing tracks. Moving from the abandoned village pictured in the self titled track to what I envision would be a song set to stargazing, “On the Way Back” uses more bass heavy soundscapes that embody a similar structure and sound to what is heard on the previous track, but when comparing them side by side, the difference between the two songs is very prominent. However, this is without a doubt one of the most mesmerizing songs heard on the album as I instantly imagine lying down on an empty field and looking up at the vast, never-ending universe above.
“Subterranean Homesick Feel” does a stellar job at transitioning from “On the Way Back” to itself as it uses the rain sample heard in the last minutes on “On the Way Back”, but instead as the track starts, the intensity of the storm greatly begins to increase. The track then takes on an almost horror like aspect as chilling effects, builds, and soundscapes are used along with a sample of two individuals interacting, giving the track a suspenseful feel. A lighter lead soundscape intertwines with menacing instrumental tracks that give a feeling of eminent danger. The change from a relaxing, stargazing scene instantly switches to that of distortion and paranoia as the mood switches to that of walking through the city in the artwork with an eerie feeling of being followed. “Subterranean Homesick Feel” is a track that could easily be heard in a modern suspense-filled horror movie.
As “Subterranean Homesick Feel” comes to an abrupt close, which is only fitting with it’s horror-esque sound, “The Wanderer” eases in with sounds of a crashing wave only to bombard you with a chugging distorted guitar that parallels its predecessor in album track list succession. The intensity soon mellows out and fades into a relaxing sample of motorcycles going by and other various city sounds. The eerie feeling of walking through the city heard before has now turned into walking through a club, being smothered by the crowdedness, and of course loudness of the environment, only to wind up outside in a more calm, peaceful environment of the city. If you are still wondering as to how diverse this album is, just listening to “The Wanderer” alone will give you a great perspective as to how fast the mood can shift.
“Urban Maze”, despite its name, has a composition of mostly isolation. Using primarily one hauntingly sounding soundscape throughout its short duration, gives a feeling as if the neon signs of the city are glaring down so intensely on the people walking below that the lights have almost become an artificial sun for the city streets. The idea of less is more is perfectly showcased in this song as a short composition with few tracks creates a powerful and memorable song.
“Looking For Corinthians”, like most tracks on this release, sounds nothing like the song before it. Using a combination of bells, lighter pads, and soundscapes, and of course smooth yet noticeable bass lines, helps create a peaceful atmosphere nothing like what was heard on “Urban Maze”. Even various arpeggiator synths help give this a lighter sound compared to the harsh noise heard in the previous track. You can picture the city in the artwork during the day and how the peaceful regularness of the environment can be therapeutic.
Not only do I think that “Landing Smoothly, Captain” should be the first song on the album, but I also believe that it should be an entirely separate project. Obviously each track is different from each other on “Mother Nature’s Silver Seed”, but the unique sound and atmosphere heard in this track is vastly different than the rest of the album as a whole, not to mention that “Looking For Corinthians” would be a fine closer to the project if “Landing Smoothly, Captain” was separated and made into it’s own release. The entire buildup with the samples of footsteps and the computer’s voice, the slowly rising synths and basses, and the entire sound that is reminiscent of soundtracks heard on fantastic movies like “Gravity” and “Interstellar” make me believe that a song this unique and absolutely beautiful should be rewarded with a separate release. Not to take away from the rest of the album, as there isn’t a bad song on this entire project, I just personally believe “Landing Smoothly, Captain” seems a little out of place on “Mother Nature’s Silver Seed”. Even the visualization, which greatly benefits from the computer’s narrated sample, depicts a futuristic space ship landing on a new, uncharted planet, which is extremely different than what is visualized throughout the rest of the album. “Landing Smoothly, Captain” is Chotto Suki’s “Palm Mall” and it has instantly become one of my favorite ambient songs I have ever heard.
In conclusion, “Mother Nature’s Silver Seed” truly is a musical journey. This album is without a doubt an example of not only how versatile ambient artists like Chotto Suki can be, but it also shows the complete power and beauty that ambient, atmospheric music can truly encompass when done right. A lack of percussion really brings the pads, synths, basses, and samples to the forefront of the music and exemplifies the power that instrumental ambient and atmospheric projects can have. Personally, I will definitely look into what else Chotto Suki has released in the past, and I really hope that he eventually writes the soundtrack to a major film one day, as I believe his superb songwriting and composing skills would result in another fantastic piece. I give “Mother Nature’s Silver Seed” an 8.7/10 and I have attached the stream of the album below for those to check out to hear how stellar this project truly is. If you would like to purchase this album on digital format or even cassette tape, a link to No Problema’s merchandise store is also attached below. While you’re on this site, however, check out what other albums we’ve reviewed lately and check back in for more posts we will have on the site soon!
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“Mother Nature’s Silver Seed”: